Head-spinning fun with many fine moments—but the emotional aspects of the book are weakened by the barrage effect.
A Chinese-American family tumbles from riches to rags in Chang’s jam-packed, high-energy debut.
The financial crisis of the last decade is turning out to be a gold mine for American writers, one which includes a rich comic vein. Here, an immigrant businessman named Charles Wang has lost his cosmetics empire, his house, and his cars. His son (a wannabe stand-up comic) will have to leave college and his daughter (a precocious fashion blogger) must withdraw from private school. Once he fires their live-in maid, he takes back the car he gave her and drives the family across the country to live with his oldest daughter (a disgraced conceptual artist) in the Catskills. Like many Chinese families, the Wangs lost their ancestral land in the communist takeover, but Charles is determined to get it back. His explanation: “What if all the Persian kids in Beverly Hills torched their Ferraris and smashed their bottles of Dior Homme before joining the Taliban? What if they marched through the city and snatched up properties, pulling you onto the street and calling you a godless capitalist pig, kicking you with feet still clad in the tasseled Prada loafers they couldn’t bear to relinquish? Wasn’t your house still rightfully yours? Wouldn’t you want it back after they were inevitably vanquished by some makeshift Arizona militia?” Switching among the points of view of all the Wangs and several supporting players, racing back and forth in time and across the country and the world, dropping into Chinese, stuffing in stand-up routines and savvy details on finance, journalism, the beauty industry, and the art world, this debut novelist holds nothing back.
Head-spinning fun with many fine moments—but the emotional aspects of the book are weakened by the barrage effect.Pub Date: Oct. 4, 2016
ISBN: 978-0-544-73409-8
Page Count: 368
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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