Beautiful, thought-provoking work about the costs of wanting children.
Lush, immersive stories set in India and America about people trying to make families.
Children—the fierce desire for them, the heartbreak of miscarriage, and the matter of caring for them—knit this collection together. In the title story, Nikhil fantasizes about raising a child with his lover, Sharma, but such a thing is still impossible in 1980s India: “The country is changing,” Nikhil says. “A child diapered by two men,” Sharma replies. “Your country is changing faster than my country is changing.” In “The Import,” Raj and his wife, Bethany, bring a young woman from India to New York to care for their 3-year-old and help them restore their “domestic bliss” only to learn that the woman has left behind her own 5-year-old daughter. In “Lilavati’s Fire,” Aparna tries to fill the void created by her son’s departure into adulthood and her somewhat strained relationship with her husband by building a plane in her garage. This is one of the collection’s standouts, offering an emotionally stirring exploration of the counterforces of intimacy and routine, being grounded and taking flight. Elsewhere, adoption is the means through which people try to make families, and here Chakrabarti mounts a searing critique of its sometimes-exploitative nature. That’s the scenario in “Daisy Lane” when an American couple comes to northern India to pick up their baby. When they learn that the baby might have an older sister, they think they’re being tricked into taking two children. While such people probably exist, as fictional characters they’re a bit too shallow and unlikable, and the story falls short. But Chakrabarti teases out the devastating consequences of how economic inequity drives adoption in “The Fortunes of Others,” a story about lost and found families told from the perspective of an Afghan refugee living in India. This one will make you cry.
Beautiful, thought-provoking work about the costs of wanting children.Pub Date: Feb. 21, 2023
ISBN: 9780525658948
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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