Effervescent and captivating, this middle-grade tale boasts a big heart.
In this middle-grade debut, a girl leaves her country home for the city and learns about a secret faction of mischief-makers.
Patience Fell has seven siblings. On her 12th birthday, she leaves the family farm to lighten the burden on her parents and to find her place in the world. Armed with only a broom, she rides a turnip cart to the bustling town of Whosebourne. In an alley beside The Crock and Dice inn, she finds a girl crying on a kitchen stoop. When Patience asks if she can help, the girl cryptically replies, “You’re all mad and I won’t fix it!” Suddenly, a whirlwind of trash approaches. While the girl runs away, Patience tries to fend off the trash with her broom. An extended battle reveals a “tiny filthy man” inside the whirlwind. This is the offaltosser. Patience is spared too much thought on this strange phenomenon by the inn’s cook, Miss Alys, who hires her as broom girl. Her first task is to bring breakfast to Miss Crowquill, a poet who lives in the attic. The madwoman possesses a book called The Chaos Court by Johnny Factotum, which describes the offaltosser and other strange creatures. A week later, Patience is picked up by a man in fancy-but-frayed dress named Reynard, who drives her to Pennywhack Manor. She meets the man who runs Whosebourne, the intimidating Keyreeve. In his office, under glass, is “The Key to the Town.” He also owns a copy of The Chaos Court. As far as Patience’s seeing the offaltosser, Keyreeve insists that she repeat, “I saw nothing unusual at all.”
Burnett brings a bit of Dickensian flair to his fantasy novel, creating silly names that are a joy to stumble across, like Shivtickle and Cobblemauler. These flights of verbal fancy hint at the deep strangeness ahead, which may remind readers of Alice’s Adventures in Wonderland, albeit with one foot more firmly in reality. At first, Reynard appears to be a sympathetic companion for Patience. That role soon falls upon Linus Pennywhack, Keyreeve’s nephew and a blossoming young scientist. Though the narrative isn’t overtly concerned with romance, when Linus shows Patience the stars through his telescope, the characters’ mutual enchantment is palpable. The collective comings and goings of magical creatures serve as a fantastical tide that regularly swells over Whosebourne, as in the scene in which Patience and Linus bounce across the rooftops with the gabledancers. Patience is a charming, determined hero, with an adorable catchphrase uttered in excitement (“Fox in a bonnet!”). Fabulous turns of phrase populate every chapter, like when we meet the unscrupulous Coinquaff, “who’d make a wolf walk the long way round to steer clear.” But Burnett also educates his younger audience by defining challenging terms well. “A hypothesis,” Linus explains, is “a guess about how things might be that you can test by investigating.” The story’s main theme of finding one’s “place in the world” is echoed in the goofy Chaos Court denizens’ names. The creatures have carved out unique niches, a feat to which Burnett’s readers should aspire. The finale offers a meta solution to the plot and creates the potential for further adventures.
Effervescent and captivating, this middle-grade tale boasts a big heart.Pub Date: March 8, 2020
ISBN: 978-1-73466-420-1
Page Count: 270
Publisher: South Window Press
Review Posted Online: May 26, 2020
Kirkus Reviews Issue: July 15, 2020
Review Program: Kirkus Indie
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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