A bonkers fantasy that retains a sweetly human center.
In this fantasy adventure, a young woman explores her true potential while aiding a thief with otherworldly powers.
Madarena Rua, who is “young enough to be tried as a juvenile,” can’t sleep. Despite her father’s snoring, she hears flower pots breaking in the garden. From the doorway, she sees what must be a cat—yet it’s walking on hind legs. She chases it into the bushes only to discover that her quarry is a small, bald man. His name is Apophax, and he seems grateful for help getting out of the bushes. Madarena assumes she’s dreaming. When Apophax asks where a nearby cemetery is, she walks him there. He lends her his coat of hedgehog quills to keep her warm. Even more strangely, he then begins to fade away into the moonlight. As she tries to remove the coat, a creature that looks like a living statue of Anubis approaches. It says: “Apophax. You have broken the laws of Triskadeka Fair.” The dog-headed enforcer then takes her up a stairway of light to a court that’s bound to find her guilty. So begins Madarena’s entanglement with the trickster Apophax, who has a plan to steal the Aoede statuette from the Night Mayor of Triskadeka Fair. Once the Moirai Sisters Clothiers dresses Madarena in “Potential,” her real adventure kicks into gear. Burnett harbors a deep love for the absurd, using his imaginative skills to the hilt, as did L. Frank Baum in The Wonderful Wizard of Oz. Madarena’s ability to drive her own story begins when she’s in prison and draws a face in chalk on the floor. She then convinces the talking cell to release her. Such unexpected cleverness continues to gush like a geyser as the tale proceeds. The author’s appealing hero loves the dictionary and has a “deep fear of ennui,” which produces lots of wordplay. The Thanatons, for example—named after the Greek god of death—are a race of monsters that includes zombies and wights. Trying to find the person or thing that is named Aoede gives emotional stakes to a narrative that might have easily drowned in silliness. Madarena’s hatred of boredom could provide fuel for a sequel exploring the “quaquaverse.”
A bonkers fantasy that retains a sweetly human center.Pub Date: April 27, 2021
ISBN: 978-1-7346642-2-5
Page Count: 226
Publisher: South Window Press
Review Posted Online: March 22, 2021
Review Program: Kirkus Indie
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.
A fantasy adventure with a sometimes-biting wit.
Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.Pub Date: April 4, 2023
ISBN: 9781250899651
Page Count: 384
Publisher: Tor
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
SEEN & HEARD
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