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ORIGINS OF A STORY

202 TRUE INSPIRATIONS BEHIND THE WORLD'S GREATEST LITERATURE

A lively peek into literary genius.

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A tour of the various sources of inspiration for beloved works of literature. 

Debut author Grogan was once given a familiar piece of advice—“Make a list of the people who inspire you, then go learn everything you can about who inspired them”—and he turned it into this unconventional and ambitious research project. He investigates the origins of 202 famous works of literature and briefly synopsizes the circumstances of each, typically in a page or so. The author focuses on the creative afflatus that preceded each work, and he attempts to pin down just how an author arrived at the general idea or a key character and why each felt compelled to pursue that particular spark of imagination. Ultimately, Grogan found that the most common seedbed of creativity is personal experience, which, as he demonstrates, can be understood broadly. For example, both Hermann Hesse and Sylvia Plath conjured stories out of their own specific forms of anguish. Alice Walker’s The Color Purple was partially based on her own encounters with racism but also on interviews that she conducted with sharecroppers who’d been threatened with eviction. Kurt Vonnegut’s Cat’s Cradle was largely inspired by his co-workers at General Electric, and he modeled the character of Dr. Felix Hoenikker, in particular, on Nobel laureate Dr. Irving Langmuir. Maurice Sendak loathed his weekly visits from his family members when he lived in Brooklyn, and the caricatures he drew of his relatives became the beasts in Where the Wild Things Are. Grogan’s research is meticulous and empirical—he often draws from published interviews with the authors in question and lets them speak for themselves. His own prose is more informally anecdotal than scholarly in tone, and it’s so breezily accessible that there’s no need to read the vignettes all at once or in any particular order. Some accounts are more speculative than others; for example, it’s not indisputable, for instance, that Franz Kafka was motivated to write The Metamorphosis because of his dysfunctional relationship with his father. However, even Grogan’s speculations are consistently thoughtful and enjoyable.

A lively peek into literary genius. 

Pub Date: Oct. 17, 2017

ISBN: 978-1-60433-751-8

Page Count: 304

Publisher: Cider Mill Press

Review Posted Online: July 28, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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