by Jake Halpern ‧ RELEASE DATE: July 1, 2003
Throwbacks, maybe, but Halpern is “impressed by their fierce pioneer spirit, clearly atavistic, but proudly unyielding.” You...
Five choice samples from Halpern’s journalistic beat of “outlandish and often hellish [places] inhabited by a handful of stalwarts who refused to leave.”
Sometimes it’s just one stalwart, like Jack Thompson, sole resident of Royal Gardens, Hawaii, a little lava-encircled island with plenty more lava creeping its way. Then there’s Thad Knight, who stayed put when Hurricane Floyd inundated Princeville, North Carolina, arguably the first incorporated black town in the US. After Knight come the residents of Whittier, Alaska, living in a claustrophobic and otherworldly 14-story high-rise nestled in the tongue of a glacier—people who, in one resident’s words, “came here running from something.” At first glance, Malibu, California, hardly seems outlandish and hellish—that is, until fire season starts, marking a clear distinction between those who run and those who stay to guard the homestead against the wind-whipped flames. Lastly, there’s the fellow who rides the mean storms off the Gulf of Mexico on a spit of land in the south of Louisiana. What we have here, Halpern suggests, are people with genuine pride of place and sense of home, not despite of but in response to the strange and daring environs: “Perhaps, over the years, their intimacy with danger and their ability to survive created a deep sense of pride and belonging.” They are individualistic, self-reliant, respectful of nature (except for Princeville, their landscapes are marked by sheer magnificence), and, often as not, happy to be free of government and society. These are people linked inextricably to the places they live, devoted and hardy, a little rough around the edges, humorous and stoic, capable of making their own definitions of heaven on earth.
Throwbacks, maybe, but Halpern is “impressed by their fierce pioneer spirit, clearly atavistic, but proudly unyielding.” You will be, too. (12 b&w photos)Pub Date: July 1, 2003
ISBN: 0-618-15548-1
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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by Jake Halpern ; illustrated by Michael Sloan
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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