by Jama Kim Rattigan & illustrated by Carla Golembe ‧ RELEASE DATE: Oct. 1, 1996
An embellished retelling—subtitled ``A Story from Hawai'i'' and rooted in Hawaiian mythology—by Rattigan (Dumpling Soup, 1993) of how the woman goddess Hina came to live in her true home in this alternative to the man-in-the-moon concept. Hina, maker of tapa, a kind of bark cloth, is dissatisfied with her demanding husband and the amount of work required in making tapa for the entire village. She chooses to leave the place where so many things are ``kapu,'' or forbidden to women, and journeys up an icy mountain peak and to the hot sun before climbing a rainbow to the moon. The telling of the story is rambling, and even disjointed at times. An emphasis given to the making and use of tapa, skillfully woven into the story, provides insight into a little-known aspect of ancient Hawaiian culture, but doesn't work as a central plot device. As a result, the story falls short of a satisfying outcome. Both tapa-making and the setting provide attractive motifs for Golembe's primitive artwork, deliberately evoking Gaugin, and rendered in gouache with sea urchin purples and hibiscus pinks as delectable as spun sugar. (notes, glossary) (Picture book/folklore. 4-8)
Pub Date: Oct. 1, 1996
ISBN: 0-316-73446-2
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
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by Jama Kim Rattigan & illustrated by Lillian Hsu-Flanders
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Randall de Sève ; illustrated by Carson Ellis
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by Mac Barnett ; illustrated by Carson Ellis
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by Carson Ellis ; illustrated by Carson Ellis
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by Katie Weaver ‧ RELEASE DATE: July 16, 2024
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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illustrated by Katie Weaver by Katie Weaver
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by Cindy Ninni Grant ; illustrated by Katie Weaver
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