by Jamal Joseph ‧ RELEASE DATE: Feb. 7, 2012
Not all will find Joseph’s politics compelling, but readers will draw inspiration from his story of struggle and...
Joseph (Tupac Shakur Legacy, 2006) offers an inspiring, unapologetic account of his transformation from armed revolutionary to revolutionary artist.
In the late 1960s, the young, gifted author was inevitably drawn to the Black Panthers. Amid the dangerous life in the Bronx ghetto, he writes, “nobody was badder than the Panthers.” Their usual apparel—black berets, black leather jackets and guns—portrayed a romantic image of a group serious about revolution during a time under “a revolutionary magic spell where anything seemed possible and victory over the oppressor was assured.” Soon the Panthers became Joseph’s whole life. Beyond the image, he learned, they were a group of men and women thoughtful in their ideology and dedicated to serving the community through schools and breakfast programs. Internecine power struggles, fueled by government infiltration and violence, broke the Panthers apart, however, and Joseph found himself going underground and finally to prison. He remained there for the next 20 years or so, a man-child coming of age behind bars. In prison, he discovered art and began to write poetry and plays, and he formed a theater group of prisoners who performed his plays about the life around them. Quickly becoming an established artist and drawn to academia, Joseph used these credentials to help found Harlem’s IMPACT Repertory Theatre, where thousands of young people experience music, drama, dance and film. Improbably, this led Joseph—and, he insists, IMPACT—to an Academy Award nomination for Best Song. Though the author’s commitment to revolutionary ends remained intact, the means to that end had changed.
Not all will find Joseph’s politics compelling, but readers will draw inspiration from his story of struggle and transformation.Pub Date: Feb. 7, 2012
ISBN: 978-1-56512-950-4
Page Count: 272
Publisher: Algonquin
Review Posted Online: Nov. 5, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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