In his 41st book, Michener (Creatures of the Kingdom, 1993, etc.) offers a feel-good vision of life in a complex for the elderly, oddly skewed by its young protagonist. Obstetrician Andy Zorn has been chased out of the medical profession by unfair malpractice suits and eagerly accepts a job as director of the Palms, a Florida facility consisting of residential apartments, an infirmary, and a hospice (the center's owner cautions Zorn to avoid the word because "it's ugly, frightening and reeks of death"). On the drive down to Florida from Chicago, Zorn plays good Samaritan and rescues a woman who loses her legs in a car accident, but after getting her to the hospital he scurries away for fear of being the subject of yet another malpractice suit. With his usual verbosity, Michener has Zorn handle with aplomb challenges that range from Alzheimer's to a constantly malfunctioning frozen yogurt machine in the Palms's dining room. Some of these episodes are entertaining (if in a very cozy way), but the focus is on Zorn's work in managing the facility rather than the lives of those who live there, and there is nothing surprising to win new Michener converts here. Although the Palms is described as possessing an idyllic, race-blind atmosphere, Michener occasionally exhibits racial insensitivity, as when he says of an African-American nurse, "If one looked only at her ample face, one might have expected her to speak in a typical black dialect." Often it seems as though characters are being depicted as somewhat thickheaded just to give Michener the opportunity to expound on a subject he has researched heavily; Zorn's ignorance of AIDS is frankly unimaginable. As expected, there is a fair amount of death in this book, but never without an epiphany and a heavy dose of sentimentality. When the beautiful young woman Zorn rescued on the way to Florida tracks Zorn down and insists that she can only recover under his care and he allows her to move into the Palms, an inspirational, happy ending becomes inevitable. Wooden and schematic.
Pub Date: Oct. 1, 1994
ISBN: 0-679-43612-X
Page Count: 400
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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