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THE WORLD IS MY HOME

A MEMOIR

Altogether engaging if decidedly selective reminiscence from the peripatetic writer (not "author," he stresses) who's one of the world's most successful storytellers. Eschewing traditional autobiography, Michener (who turns 85 next year) looks back on his long, globe-trotting life from more than a dozen vantage points—travel, people, politics, health, wealth, etc. This idiosyncratic format permits him to comment at length on topics of his choosing and to avoid subjects he finds painful or none of a reader's business. Beyond a brief allusion, for example, there's no mention of two matrimonial failures, and little about his enduring marriage to a nisei named Mariko. He does, however, offer intriguing glimpses of his impoverished boyhood in a foster home and the steely resolve that won him scholarships and honors at Swarthmore and graduate schools. Meanwhile, Michener spins a wealth of marvelous yams about his years as a teacher, editor (at Macmillan), WW II naval officer, omnivorous reader, itinerant lecturer, occasional show-biz advisor, and, more recently, member of government commissions. Among many other recitals, his rueful accounts of how the Post Office chooses the subjects of its postage stamps and of the travails of an unreconstructed liberal running for elective office in Bucks County, Pa.—a bastion of rock-ribbed Republicanism—stand out. The author also recalls highs and lows of a writing career that (to the dismay of many critics) saw him win a Pulitzer Prize for his first book (Tales from the South Pacific, 1947) and make frequent appearances on bestseller lists for decades thereafter. While not one to underrate his craft or accomplishments, Michener refuses to employ royalty statements to dispute the typically damning judgments of the literary establishment. Indeed, he seems content to let the reading public have the final word on his work. The guess here is that fans and foes alike will find the discontinuous, digressive, and quite delightful narrative at hand as much to their separate tastes as ever.

Pub Date: Jan. 1, 1992

ISBN: 0812978137

Page Count: 512

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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