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SIGN-TALKER

THE ADVENTURE OF GEORGE DROUILLARD ON THE LEWIS AND CLARK EXPEDITION

Uneven, heavy with ironic culture clashes, and as slowly paced as the expedition itself. Still, the narrative ripples with a...

Thom retells the Lewis and Clark journey, which he first visited in From Sea to Shining Sea (1984), from the point of view of Drouillard, a half-breed Native American.

Adapting the less romantic view of contemporary historians, Thom, again trying to evoke history from a Native American perspective, sees that famed expedition as a harbinger for the subjugation and annihilation of the Indians, who, though threatened by European diseases, weapons and whiskey, would soon find betrayal, slaughter, cultural destruction and slow starvation in the white man's bag of gifts. In Drouillard (his father was French, his mother a Shawnee), Thom has a reluctant, stranger-in-a-strange-land hero. Drouillard is a superb hunter with an almost psychic understanding of living things, as well as an illiterate linguist who can speak English, French, Spanish, and variations on his Shawnee dialect. Unmarried, shunned by whites and unattached to any tribe, Drouillard is at first reluctant to join the expedition, having suspected correctly that William Clark's brother, George Rogers Clark, massacred his tribal relatives. He decides that the money he might make could be of use to his mother, though, and becomes the odd man in among the Corps of Discovery, reacting with mostly silent contempt at the foul odors, hypocrisy, dishonesty, and management blunders of the group's leaders, especially Lewis, whose depressive rages Drouillard senses as an almost demonic possession. In numerous meetings with Indians, Drouillard envisions the seeds of conflicts to come, but also finds much to respect on both sides—until he becomes an unwilling accomplice as the explorers lie, cheat, and steal their way to the Pacific and back.

Uneven, heavy with ironic culture clashes, and as slowly paced as the expedition itself. Still, the narrative ripples with a luminous fascination for nature, both human and spiritual, as it rains down so much sorrow and wonder.

Pub Date: July 5, 2000

ISBN: 0-345-39003-2

Page Count: 480

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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