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WARRIOR WOMAN

THE EXCEPTIONAL LIFE STORY OF NONHELEMA, SHAWNEE INDIAN WOMAN CHIEF

Stirring, often bitter, but ultimately uplifting.

Prequel to Sign-Talker (2000), introducing an 18th-century female Shawnee Indian chief whose pursuit of peace leads to endless conflict with lovers, friends, and foes.

We meet Nonhelema (“Not a Man”) in 1774, on the eve of a confrontation with British soldiers loosely allied to a division of colonial troops. Though nearly fifty, she has the lithe body of a woman half her age and fights alongside her fiercest male warriors. Her entourage includes an escaped African slave as well as a daughter from a previous liaison with a Caucasian. Nonhelema’s mother, now named Elizabeth, has converted to Christianity and lives full-time in a nearby Christian mission. The British are marching on Shawnee lands in what are now portions of western Pennsylvania and Ohio to claim, by force if necessary, the hunting grounds they say were sold to them by the Iroquois. The Shawnees say those grounds do not belong to anyone and cannot be sold. Nonhelem’s tribe wants war, and they fight so fiercely that the Colonial army asks for a parley. Things go from bad to worse as Nonhelema realizes that, despite the compassionate love of the Christian God whites claim to believe in, the intruders will eventually take everything the Shawnees hold dear. Never afraid to fight, she counsels peace because she has blood ties and religious loyalties on both sides. (Among the plot twists is her brief fling with a rough-and-ready frontiersman, Alexander McKee, which results in another offspring.) Conflicting relations with the British and the colonials during the Revolutionary War bring about the massacre of Nonhelema’s tribe, and she faces a future that, while uncertain, is no less noble. Collaborating for the first time on fiction with his Shawnee wife, Thom adds to his gallery of Native American heroes a woman whose character transcends her culture, but whose culture gives her incomparable skills, strengths, beauty and insights.

Stirring, often bitter, but ultimately uplifting.

Pub Date: Dec. 1, 2003

ISBN: 0-345-44554-6

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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