by James Baldwin ‧ RELEASE DATE: May 3, 1976
This, Baldwin's unexpected consideration of movie-made America, has some of the same sad sweetness of his last novel If Beale Street Could Talk. It even addresses itself, quietly and elliptically, to the same ironies: the only truth Baldwin recognizes in American fares that purport to show black lives comes in those rare moments when rage, terror, and pain are on display. Usually in an actor's face, since the scripts always lie. Baldwin wanders in and out of Lady Sings the Blues, In the Heat of the Night, The Defiant Ones, The Exorcist, Guess Who's Coming to Dinner? and some others and finds them testaments to falsehood, self-serving images of blacks conjured up out of the need to reassure or exonerate white audiences. In the famous scene in The Defiant Ones where Sidney Poitier leaps from the train and gives up freedom to remain with his wounded white buddy, Baldwin points devastatingly to "that most disastrous sentimentality" which tries to bring the black man into the white American nightmare—a nightmare which centers on identity and therefore elicits from whites "the most profound panic." Baldwin ignores the current tidal wave of black films, Shaft and its progeny, on the basis that their whole purpose is to make the true black experience "irrelevant and obsolete." One might quarrel with such a sweeping put-down, but as it is his films are touchstones for his own experiences in fear and trembling.
Pub Date: May 3, 1976
ISBN: 0385334605
Page Count: -
Publisher: Dial Books
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: May 1, 1976
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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