Debunks the perception that rivers exist solely to provide humans with water, power, and transportation.
A primer on the benefits of flooding and the enduring costs of domesticated rivers.
In this posthumously published book, Scott urges his readers “to recognize the animated liveliness of the river and its tributaries“ as he “give[s] voice to all the flora and fauna whose lifeworld centers” on a river’s watershed. His focus is the flood pulse that occurs every year as water from seasonal rains, snow, and glacial melts surges into river basins. The overflow provides nutrients for soils, trees, plants, fish, and mollusks. It supports insect, bird, and animal life that then attracts animals, birds, and fish higher on the food chain, creating a diverse ecosystem. Scott, who founded the Program in Agrarian Studies at Yale, pays particular attention to the role of rivers in the evolution of human settlements, from hunter-gatherers to the present. Lurking in the historical shadows are industrialization and nation-states with the capacity to build massive dams, irrigation channels, and levees and engage in flood-control measures indifferent to the ecological and cultural consequences. This argument draws on Scott’s Against the Grain (2017) and Seeing Like a State (1998). To illustrate, he turns to Burma (his preferred name), and the Ayeyarwady (often spelled Irrawaddy) River, which runs nearly the length of the country. He tells of the river’s many meanderings, its long history, its place in the seasonal lives of fishermen and farmers, and the river spirits that are part of people’s daily lives. But Scott seems unsure of the book’s central focus. His three major concerns—the basic knowledge of watershed dynamics, the history of human engagement with rivers, and the Ayeyarwady River—form a somewhat disjointed narrative. Regardless, he has written an informative introduction to the inarguable coalescence of rivers, weather patterns, soils, and the humans and nonhuman creatures in their midst.
Debunks the perception that rivers exist solely to provide humans with water, power, and transportation.Pub Date: today
ISBN: 9780300278491
Page Count: 248
Publisher: Yale Univ.
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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