Back to feudal Japan, which now enters the modern world, from the master of the three-decker behemoth (Shogun, Tai-pan, Noble House, etc.). Once you're into it, you forgive Clavell his galloping grammar and anachronisms and are swept along by spirited storytelling. Although Clavell clearly takes this hackwork as weighty and worthy entertainment, the heart quails at a serious weighing of a novel peopled with larger-than-life comic-strip characters caught up in cliches of Japanese exotica and international business deals as well as of internecine warfare—all of which Clavell writes at full throttle as if infused by the soul of Alexandre Dumas. A sequel to Tai-pan (1966), this is the sixth novel in Clavell's Asian saga and takes place in 1862. The gai-jin (foreigners) have arrived, intent on doing business with the Japanese. With laws against the use of the wheel in carriages or carts, the Japanese, their tradition- bound Emperor and competing warlords detest the foreigners, who have ruined the Chinese with the Opium Wars. The mighty Struan shipping empire, Noble House, has built a base in Yokohama, but with the illness (fatal) of Culum Struan, tai-pan (head) of the business empire, 20-year-old Malcolm Struan stands ready to become tai-pan. In the first chapter, however, he's attacked by samurai assassins on the Tokaido road and lies either bedridden or hobbles about for the rest of the novel. Young Angelique Richaud, 18, Parisienne daughter of a gambler who has lost what money the family had, sets her eye on Malcolm. Angelique is raped by a rogue samurai and now secretly carries his child, unbeknownst to the love- besotted Malcolm. Angelique's syphilis-stricken fellow Frenchman Andre Poncin wends his way through the plot toward a glorious love- death with his Japanese mistress while Japanese warlords fight each other, samurai endlessly behead samurai, earthquakes shiver, and Yokohama burns. You get your money's worth if you want to spend it here.
Pub Date: June 1, 1993
ISBN: 0-385-31016-1
Page Count: 944
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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