A meticulously researched historical account presented in the form of a thrilling political drama.
A historical novel set in sixth-century Constantinople charts the extraordinary ascent of a woman from poverty to royal power.
Theodora is born into inauspicious beginnings: Her Greek father, Acacius, is a bear trainer in a circus, and her Syrian mother, Asima, is a dancer. Their fortunes only grow worse when Acacius dies in an accident. Theodora is only 5 years old when the tragedy happens and is forced to work by the time she is 10. Her life is brutally hard—she is raped with impunity at 12—but she is also dauntlessly ambitious and refuses to resign herself to a lowly station. Theodora learns to read and write and works as a prostitute and an actress, but she pines to escape the “fringes of the theater circuit.” She eventually becomes the mistress of Justinian, the nephew of the emperor, destined to take the throne. Martin (Hologram, 2017, etc.) weaves into the tale a crucial subplot—a poor Syrian boy, born Sufian but renamed Stephen after he’s sold to an unscrupulous magus, discovers that he’s “singularly adept at languages” and lands a high-ranking position in Justinian’s court. He befriends Theodora, but she betrays him. Later, as empress, she demands that Stephen—wasting away in jail—become her biographer, giving him an opportunity for both freedom and revenge. In this ambitious novel, the author vividly brings to life the cinematic story of Theodora’s life, chronicling her rise, more halting than meteoric, to spectacular power (“Theodora set about to prove wrong her sister’s assertions regarding the roles of women. She wanted to affirm that her own role in life was not preordained—and that she had some talent, some gift”). Martin’s command of the historical period—not just the chief political events, but also the nuances of its cultural mores—is masterful. Furthermore, he conjoins that scholarly rigor with novelistic excitement—the entire tale is intelligently conveyed with great emotional poignancy.
A meticulously researched historical account presented in the form of a thrilling political drama.Pub Date: Oct. 22, 2019
ISBN: 978-1-73400-430-4
Page Count: 398
Publisher: Hussar Quill Press
Review Posted Online: Dec. 30, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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