by James Crawford ‧ RELEASE DATE: March 7, 2017
A well-written prize for students of history, archaeology, and urban planning.
A searching survey of some of humankind’s greatest architectural accomplishments.
Whereas a human life is usually less than 100 years, writes Scottish preservationist Crawford, “in its lifetime, the same building can meet Julius Caesar, Napoleon and Adolf Hitler.” Buildings have come to stand for whole civilizations, have indeed been practically all that survives of a civilization, whether the now-fallen city of Palmyra or the ruins of Angkor Wat. In an arresting vision, Crawford juxtaposes the ancient Tower of Babel and the recently fallen twin towers of the World Trade Center, imagining that the American soldiers who invaded Iraq in 2003 “would have been able to see, had they known what they were looking for, the place where it all began.” The author’s “it all” includes some grandly noble experiments, such as St. Paul’s Cathedral in London, one that both royalists and republicans knew even in a time of civil war “still mattered,” so much so that huge energies and treasuries went into rebuilding it after the Great Fire of 1666. Along the route of his detailed but lightly told tour, Crawford stops in at places such as Karakorum, the ancient Central Asian city that afforded the Mongol Empire a stronghold from which to conduct an unusually enlightened kind of administration, encouraging free trade and suppressing the usual bandits and robbers of the caravan routes; the long-gone walled city of Kowloon, victim of a perhaps not so enlightened modern colonizer; and even the imagined metropolises of the here-today, gone-tomorrow virtual world of GeoCities. Some of the most affecting passages, though, concern the World Trade Center and its wealth of intertwined stories, from its designer’s acrophobia (hence its narrow, containing windows) to the destruction of old lower Manhattan that preceded the building of those towers. Crawford closes this elegant, charged book with a view of cities now destroyed in the wars of the Middle East, ones that, hopefully, will one day rise from the ashes.
A well-written prize for students of history, archaeology, and urban planning.Pub Date: March 7, 2017
ISBN: 978-1-250-11829-5
Page Count: 640
Publisher: Picador
Review Posted Online: Jan. 9, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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edited by James Crawford
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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