A gripping, entertaining, but sometimes uneven horror story.
A man desperately seeks to escape an old family curse in this novel.
In this tale from Dashner, the author of the Maze Runner series of YA adventures, events turn from SF to psychological horror. The story focuses on single father David Player, who’s trying his best to raise his four kids while continuing to deal with the long shadows of his own childhood trauma. As he drives his children through the South Carolina tobacco fields to their grandfather’s house, the narrative flashes back to his childhood encounters with a vicious, homegrown serial killer named Pee Wee Gaskins. In the present, David and his family finally reach the house. But Dicky, Pee Wee’s son, suddenly appears and proceeds to almost choke to death. The shocked David muses: “This son of a killer said he came to see me. He then choked on his own tongue, for no apparent reason. And my son, who’d never showed us the slightest hint that he knew the first thing about saving a person in such dire straits, had done just that.” Readers gradually come to realize alongside David that Pee Wee’s evil might not be done stalking his family. The author’s long writing experience is a double-edged sword in this novel. On the one hand, he skillfully crafts a riveting narrative; the first-person storytelling will keep readers turning pages. But on the other hand, habits picked up in a career of writing books for teenagers can yield some uneven prose (“There are many who think I’m a murderer,” confesses David early on. “Worse than a murderer. A monster. A monster so monstrous that never before has a world seen such a monstrous monster”) as well as some baffling turns of phrase (“But alas, it’s the truth, the whole truth, and nothing but the truth, as the lawyers are wont to say”). It’s bailiffs, not lawyers, who are wont to say this. There’s also a tendency to mimic the tinny, faux folksiness of Stephen King: “People around town said old Pee Wee Gaskins could dig a grave faster than Parson Fincher could say a burial prayer. I wasn’t so sure about that, but figured it’d be a tight race, anyhow.” Still, readers who can overlook these flaws will find a fun, chilling tale here.
A gripping, entertaining, but sometimes uneven horror story.Pub Date: N/A
ISBN: 978-1-62601-608-8
Page Count: 302
Publisher: Riverdale Avenue Books
Review Posted Online: April 7, 2022
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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