by James Duane ‧ RELEASE DATE: Sept. 20, 2016
Well-informed, scary, sobering, and sure to tick off police officers and prosecutors even as it contributes to keeping...
Building on his much-viewed YouTube video “Don’t Talk to the Police,” former criminal defense attorney and legal scholar Duane (Regent Univ. School of Law) offers a cogent, concise argument for keeping silent.
Why is it, asks the author, that public officials who are being questioned so often invoke their constitutional right not to self-incriminate? Because they know the law. More to the point, he suggests, they know the many ways in which all-too-human investigators can misinterpret and twist words—and that the system is fundamentally corrupt to begin with. Though the last bit may be cynical, Duane means it without hyperbole: on any given day, an American adult breaks three laws without even knowing that he or she has done so, very often as a result of unforeseen consequences of good intentions. “That is why,” Duane writes, “you cannot listen to your conscience when faced by a police officer and think, I have nothing to hide.” If the law is corrupt, then so are law enforcement officers, not necessarily out of evil intent but because they have quotas to fulfill, performance evaluations to meet, and so on—and because, increasingly, there’s an us-against-the-world mentality governing the precinct house. So what to do? Duane counsels common sense, noting that there are reasons and situations that call for cooperating with the police. If, however, there’s the remotest chance that suspicion will fall on you, he adds, then it’s a good idea to think Fifth (and Sixth) Amendment and to remember that, thanks to Antonin Scalia’s influence on the Supreme Court, it’s no longer possible to believe that “only guilty people would ever knowingly refuse to talk to the police,” even if the police and the courts seem to think so.
Well-informed, scary, sobering, and sure to tick off police officers and prosecutors even as it contributes to keeping innocent people out of jail.Pub Date: Sept. 20, 2016
ISBN: 978-1-5039-3339-2
Page Count: 152
Publisher: Little A
Review Posted Online: Aug. 18, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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