From lack of plot to banal dialogue, everything indicates that Hardy has squeezed the last drop out of this provender.
This wisp of a novel is the sixth and final volume in Hardy’s B-Boy Blues series, about two gay black men and their friends and families.
The action, what there is of it, extends over four days in June 2003. It’s been ten years since Mitchell and Raheim became lovers, and four since they broke up. Now, Mitchell is freelancing as a journalist while raising two kids in his Brooklyn brownstone. Errol, one of them, is Raheim’s son (abandoned by him) and about to turn 15. Five-year-old Destiny is the daughter of Mitchell’s mother, thus actually Mitchell’s sister, except that his mother, at 49, decided she was too old to raise another kid, although she’s happy as a loving “grandmother.” Unusual arrangements, but the house runs like clockwork thanks to Mitchell’s expert care. And suddenly everything is coming up roses. Mitchell gets a fabulous job offer as editor in chief of the magazine he’d earlier parted from bitterly (it’s under new ownership). Raheim is on a roll, too. He’s kicked his gambling addiction, with the help of Gamblers Anonymous, and is living harmoniously with his father. He also gets a fabulous offer after a long dry spell—the lead in a movie about a gay ballplayer. And Errol, smart as a whip, is already being courted by Ivy League schools. In what amounts to a long curtain call, some old faces put in appearances. B.D. and Babyface are moving to Canada, where they’ll have a legal marriage. Raheim’s nemesis, Malice, is his nasty old self. Mitchell’s old flame, Montee Simms, is still a sweetheart. Except for Malice, nobody speaks a harsh work in this lovefest. Errol, for example, has forgiven Raheim, just as Raheim has forgiven his dad. The message? Well, “Love is always worth it.” The sweetness is cloying, though the inevitable reconciliation between Mitchell and Raheim is nicely understated.
From lack of plot to banal dialogue, everything indicates that Hardy has squeezed the last drop out of this provender.Pub Date: June 1, 2005
ISBN: 0-06-621249-9
Page Count: 240
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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