by James Fallows & Deborah Fallows ‧ RELEASE DATE: May 8, 2018
A well-reported, optimistic portrait of America’s future.
An illuminating trip through “parts of the country generally missed by the media spotlight.”
Between 2013 and 2017, Atlantic national correspondent James Fallows (China Airborne: The Test of China’s Future, 2013, etc.) and his wife, Deborah Fallows (Dreaming in Chinese: Mandarin Lessons in Life, Love, and Language, 2011, etc.), traveled nearly 100,000 miles in their small plane, making two-week stops in 25 cities and shorter visits to another 24. They visited libraries and bars, schools and businesses; talked to politicians, civic leaders, newly arrived refugees, students, social service workers, and others to get a sense of “the backbone and character of the region” and, by extension, of the whole country. Writing with lively curiosity and open minds, the couple have created textured portraits of 29 American cities, from Sioux Falls, South Dakota, to Allentown, Pennsylvania, and Eastport, Maine, to Redlands, California. Central to a city’s or region’s success, they discovered, were “the stories people tell themselves” about their “traits and strengths.” Burlington, Vermont, for example, changed its identity from largely a retirement community to a research and technology center where local companies encourage startups. Although the city struggles with drug culture and “tensions between old-family Vermont residents and new arrivals,” civic engagement, one resident said, “is the absolute heart of what keeps the city palpitating.” Although all but one of the states visited voted for Donald Trump in 2016, the authors found no evidence of “the seething fury described by the media.” Instead, they noted “humming, stylish” downtowns—essential for a city’s success—in places like Columbus, Ohio, and Greenville, South Carolina, each the result of efforts by business, civic, and educational organizations. They found innovative schools, like the Mississippi School for Mathematics and the Arts, a public boarding school in Columbus, Mississippi, where students—some of whom grew up in a shack or trailer—were building robots. The authors assert that distancing themselves from national politics, fostering collaboration between government and businesses, and keeping open to outsiders, including immigrants, all contribute to a city’s vitality.
A well-reported, optimistic portrait of America’s future.Pub Date: May 8, 2018
ISBN: 978-1-101-87184-3
Page Count: 432
Publisher: Pantheon
Review Posted Online: Feb. 25, 2018
Kirkus Reviews Issue: March 15, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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