by James Fallows & Deborah Fallows ‧ RELEASE DATE: May 8, 2018
A well-reported, optimistic portrait of America’s future.
An illuminating trip through “parts of the country generally missed by the media spotlight.”
Between 2013 and 2017, Atlantic national correspondent James Fallows (China Airborne: The Test of China’s Future, 2013, etc.) and his wife, Deborah Fallows (Dreaming in Chinese: Mandarin Lessons in Life, Love, and Language, 2011, etc.), traveled nearly 100,000 miles in their small plane, making two-week stops in 25 cities and shorter visits to another 24. They visited libraries and bars, schools and businesses; talked to politicians, civic leaders, newly arrived refugees, students, social service workers, and others to get a sense of “the backbone and character of the region” and, by extension, of the whole country. Writing with lively curiosity and open minds, the couple have created textured portraits of 29 American cities, from Sioux Falls, South Dakota, to Allentown, Pennsylvania, and Eastport, Maine, to Redlands, California. Central to a city’s or region’s success, they discovered, were “the stories people tell themselves” about their “traits and strengths.” Burlington, Vermont, for example, changed its identity from largely a retirement community to a research and technology center where local companies encourage startups. Although the city struggles with drug culture and “tensions between old-family Vermont residents and new arrivals,” civic engagement, one resident said, “is the absolute heart of what keeps the city palpitating.” Although all but one of the states visited voted for Donald Trump in 2016, the authors found no evidence of “the seething fury described by the media.” Instead, they noted “humming, stylish” downtowns—essential for a city’s success—in places like Columbus, Ohio, and Greenville, South Carolina, each the result of efforts by business, civic, and educational organizations. They found innovative schools, like the Mississippi School for Mathematics and the Arts, a public boarding school in Columbus, Mississippi, where students—some of whom grew up in a shack or trailer—were building robots. The authors assert that distancing themselves from national politics, fostering collaboration between government and businesses, and keeping open to outsiders, including immigrants, all contribute to a city’s vitality.
A well-reported, optimistic portrait of America’s future.Pub Date: May 8, 2018
ISBN: 978-1-101-87184-3
Page Count: 432
Publisher: Pantheon
Review Posted Online: Feb. 25, 2018
Kirkus Reviews Issue: March 15, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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