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FACTION 9

This sci-fi debut thrums with creative juice.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2018

In this sci-fi novel, a government bureaucrat learns the strange truth of his parents’ deaths.

The year is 2041, and Jack Tone works for the Federal Security Agency in Manhattan. He’s an exemplary employee, writing detailed assessments on citizens, legal residents, and noncitizens of the United States. He’s miserable, however; one day after work, he nearly walks in front of a delivery truck. When Peter Andronicus, an accountant, saves him, they agree to have some drinks. Jack lies about his sensitive job, telling his new friend that he’s a U.S. Customs inspector. In turn, he suspects that Andronicus is also lying about his profession. Two weeks later, Jack runs into him at Penn Station, and they head to The Cock and Bull for more libations. This time, Andronicus lays some strange cards on the table—including his knowledge that Jack wanted to be an archaeologist in high school. He then reveals Jack’s true position within the “Corporate-Government alliance” and asserts that “America must be re-founded anew, this time on the pure ideals of liberty and life.” He invites Jack to a meeting, in Pennsylvania, of the Friendly Neighborhood Political Discussion Group, aka Faction 9. The bureaucrat is reluctant to attend, but Andronicus says, “I have information about the circumstances of your parents’ deaths.” Jack eventually learns that 17 years ago, his geologist parents discovered a secret so unsettling that its revelation would have reshaped the fabric of human society. Ultimately, Jack must decide if he’s willing to use his FSA position to help these revolutionaries. For his debut, author Firelocke marries modern politics and the outré to hypnotic effect. In the novel’s opening salvo, he parodies America’s current obsession with surveillance and data collection—and the notion that it can only intensify. Among Andronicus’ Faction 9 colleagues is the chilly, ruthless Karin Polyvox. After she saves Jack from a genetically bastardized human called a Plutocroid, the narrative starts careening across bracingly weird landscapes. Fans of classic authors like Wells and Lovecraft will revel in Firelocke’s tight fusion of strange ideas, including divergent races of humanoid earthlings and giant insects frozen in time. Though his core subject matter is that of a citizenry perpetually distracted by pharmaceuticals and entertainment, Firelocke maintains a tongue-in-cheek atmosphere, like when two recent presidents are referred to as “the Idiot Ape of Texas” and “the Tower Ape.” He saves his darkest critiques for today’s incarceration industry. Prisoners of the Freedom Fortress have an arm amputated upon entrance to reinforce cooperation and eat a nonfood called Ploop. Events remain tense and fascinating as Faction 9’s violent goal—revolving around the megarich Gregory Randolph Reid—crashes against some unexpected emotional subversion. The author also wedges Jack between Polyvox’s fantastic origin and Andronicus’ grounded focus on the mission, which makes for a dreamy kind of madness that sweeps audiences along. There’s plenty of room for pop-culture references, too, including nods to the film Blade Runner.

This sci-fi debut thrums with creative juice.

Pub Date: Jan. 19, 2018

ISBN: 978-0-9995682-9-3

Page Count: 482

Publisher: CreateSpace

Review Posted Online: May 21, 2018

Kirkus Reviews Issue: July 1, 2018

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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