Although he can go on too much about how unaffected and genuine he is, Garner comes across as likable on the page as he does...
With Winokur (The Big Book of Irony, 2007, etc.) Garner tells his life story with the same wry, self-effacing charm that characterized his classic TV characters: the laidback cowboy Bret Maverick and the down-on-his-heels gumshoe Jim Rockford.
Raised in Depression-era Oklahoma by an alcoholic father and abusive stepmother, Garner escaped to Hollywood, got his own hit show (Maverick) before he was 30 and made movies. He has stayed married to the same woman for over 50 years. Fate has, for the most part, been kind: “The only reason I’m an actor is that a lady pulled out of a parking space in front of a producer’s office.” Along the way, he also spent a hellish season in the Korean War and received two Purple Hearts in Korea—though he claims that he “didn’t save anybody but myself.” Garner praises mentors such as Henry Fonda and Marlon Brando and offers testier assessments of his late neighbor and competitor Steve McQueen, Charles Bronson (“a bitter, belligerent SOB”) and Charlton Heston (“stiff as a board”). He gives great inside dope on the technical demands of making of his racing hit Grand Prix (1966), the sheer physical toll action roles can take on the body and the equally brutal business end of Hollywood, where Garner has survived two legendary you’ll-never-work-in-this-town-again run-ins with the studios (“It was like being in business with the Mafia, only Universal didn’t need a gun, just a pencil”). The author is also full of contradictions. He doesn’t believe in glorifying the military but supports a memorial for Korean War veterans, calls himself a coward but continually points out that he never backs down from a fight and claims not to take acting too seriously (“I have to laugh when I hear actors talking about their art”) but clearly knows the craft and respects it.
Although he can go on too much about how unaffected and genuine he is, Garner comes across as likable on the page as he does on screen.Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-4260-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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