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THE GARNER FILES

Although he can go on too much about how unaffected and genuine he is, Garner comes across as likable on the page as he does...

With Winokur (The Big Book of Irony, 2007, etc.) Garner tells his life story with the same wry, self-effacing charm that characterized his classic TV characters: the laidback cowboy Bret Maverick and the down-on-his-heels gumshoe Jim Rockford.

Raised in Depression-era Oklahoma by an alcoholic father and abusive stepmother, Garner escaped to Hollywood, got his own hit show (Maverick) before he was 30 and made movies. He has stayed married to the same woman for over 50 years. Fate has, for the most part, been kind: “The only reason I’m an actor is that a lady pulled out of a parking space in front of a producer’s office.” Along the way, he also spent a hellish season in the Korean War and received two Purple Hearts in Korea—though he claims that he “didn’t save anybody but myself.” Garner praises mentors such as Henry Fonda and Marlon Brando and offers testier assessments of his late neighbor and competitor Steve McQueen, Charles Bronson (“a bitter, belligerent SOB”) and Charlton Heston (“stiff as a board”). He gives great inside dope on the technical demands of making of his racing hit Grand Prix (1966), the sheer physical toll action roles can take on the body and the equally brutal business end of Hollywood, where Garner has survived two legendary you’ll-never-work-in-this-town-again run-ins with the studios (“It was like being in business with the Mafia, only Universal didn’t need a gun, just a pencil”). The author is also full of contradictions. He doesn’t believe in glorifying the military but supports a memorial for Korean War veterans, calls himself a coward but continually points out that he never backs down from a fight and claims not to take acting too seriously (“I have to laugh when I hear actors talking about their art”) but clearly knows the craft and respects it.

Although he can go on too much about how unaffected and genuine he is, Garner comes across as likable on the page as he does on screen.

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4260-5

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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