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GENIUS

THE LIFE AND SCIENCE OF RICHARD FEYNMAN

``He is a second Dirac,'' Princeton's Eugene Wigner said, ``only this time human.'' That's only one of the many pithy descriptions that Gleick (Chaos, 1987) quotes in this fine, monumental biography of a monumental figure in 20th-century physics. Readers whose appetites were whetted by the as-told-to collections of anecdotes in the Ralph Leighton books (Tuva or Bust!, 1991, etc.) will find gratification of a different kind here. There are wit and playfulness, yes, but what shines through is Richard Feynman's commitment to probe nature, a restlessness to understand why things happen, and the joy and beauty he felt when science yielded an answer—and that is the key to understanding what drove Feynman throughout his life. That, and a no-nonsense attitude that despised pretension, lofty language, and rote learning. In the post-Sputnik days of educational reform, Feynman was out in front criticizing the new math as utterly useless formalism (unless you could use it to explain to kids different orders of infinity). While Feynman was best known for his Nobel- winning work in quantum electrodynamics and subsequent achievements in particle physics, Gleick traces the many byways in the physicist's career: his study of helium superfluidity; his brief flirtation with molecular biology; his interest in sleep and dreams. And then there were his involvement with the Manhattan Project; the loss to tuberculosis of his beloved Arline; his relentless womanizing; his eventual marriage to Gweneth—the English woman he met on a beach in Geneva and arranged to bring over as his domestic servant; his children; his lectures; his refusal to take graduate students; his skepticism about grand unified theories; the Challenger disaster. Gleick weaves all these threads into a rich portrait of an imperfect, complex, to-his-own-self-and-to-science-be-true figure, loved and admired, yet elusive. (Twenty-four pages of b&w photographs—not seen.)

Pub Date: Oct. 1, 1992

ISBN: 0-679-40836-3

Page Count: 448

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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