There's faint flavor of The Last Adam (Cozzen's best book, in this reader's opinion), more in the sureness of his understanding of the undercurrents of village thought and way of life than in character. The setting is a county seat during a murder trial; the characters are primarily the lawyers on the case, with the ramifications of their families, and with but slight touching upon the principals of the trial or the jury. And yet all fit together into a pattern that — in the final analysis — shows how even the fumblings of the law and the trial by jury processes work together to some sort of result. One feels, in the main characters, a new grouping of personalities in a community :-they are Abner, acting as prosecuting attorney, as, presumably a step towards filling his superior's shoes in the next election, — Bonnie, to whom he is engaged in a typically New England offhand way, — Jesse, small time boss, whose control of his fate irks the independent Abner, and Harry Wurts, attorney for the defense, glib, clever, smart alecky. Abner is prickly and difficult and outwardly unappreciative of the human values of his relationships, but learns — in a series of small shocks to his ego, and in the culmination of the trial with his totally unexpected defeat in the jury's verdict, that life must be one of adjustment and compromise. The story is not the trial — it is the town, the interweaving of the trial with the daily round, the afterhours and social "doings" — and as such it comes alive. There is no character drawn so satisfactorily in the round as the doctor in The Last Adam. One gets less convincing a picture of the community. But the use of the trial as a lever is fresh —and its subordination to other aspects of life make it different from such books as Inquest or The Bellamy Trial.
Pub Date: July 23, 1942
ISBN: 0156465787
Page Count: 444
Publisher: Harcourt, Brace
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: July 1, 1942
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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