Like John Grisham and Paul Levine, Grippando wastes precious little time or thrills on the courtroom in his ballyhooed first novel, a high-concept legal thriller. Two years ago, law-and-order Florida Governor Harry Swyteck rejected estranged son Jack's last-minute plea for a pardon for his client Raul Fernandez, even though Jack swore he'd been visited by a mysterious masked man who presented irrefutable proof that Fernandez was innocent of the sex killing he was charged with. Now a diabolically clever killer—the same masked man?—has planned a meticulous series of crimes with one end in view: to get Jack unjustly convicted of murder so that his father will have to sign his death warrant. Both father and son suspect that Eddy Goss, the despised ``Chrysanthemum Killer'' Jack got off on a technicality, is the man who's been setting them up, blackmailing the governor about his refusal to pardon Fernandez and threatening Jack, his girlfriend Cindy Paige, and her old roommate Gina Teresi. But when Goss turns up dead, both men realize that the killer, who lured them into separate trips to Goss's seedy apartment just in time to puncture their alibis, is playing a deeper game. In less time than you can say frameup, Jack is indicted for Goss's murder. Should he call Gina to testify that he was writhing in her bed for most of that night? Every time it seems that matters can't get any worse for Jack, the killer has another trick up his sleeve, and Harry's efforts to clear his son only get them both into graver peril. Crude but sensationally effective, a Perils of Pauline cliffhanger for two male leads in which the stupidity of the innocent gives a playful kick to the penny-dreadful horrors. It won't kill more than a few hours, but oh, what hours they'll be. (First printing of 75,000; Literary Guild/Mystery Guild alternate selections; $100,000 ad/promo; author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-06-017782-9
Page Count: 320
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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