Heneghan (The Grave, 2000, etc.) tells an engaging and optimistic tale of loss, recovery, and a little bit of magic. When weeks of rain cause the rivers and creeks of North Vancouver to sweep away bridges, roads, and houses, Andy Flynn escapes the fate of his drowned mother and stepfather thanks to the help of the Sheehogues, a.k.a. the Little People. When stern Aunt Mona arrives to take Andy to live with her in Halifax, she reveals that his father, whom Andy had believed dead, is in fact alive. The bad news is that she portrays him as a bum who drinks and gambles when he is not in jail. Upon arriving in Halifax, Andy runs away from Mona and finds his father, a charmer with a gift for storytelling who is every bit as Aunt Mona had described. Andy clings to the belief that his father will shape up, find a job, and provide the sort of stable life to which Andy is accustomed. Under the watchful eyes of the Sheehogues, who also make the trip to Halifax (they go by plane, finding Air Canada quicker than the traditional faerie method of travel), Andy learns to love his flawed father without expecting too much of him and to appreciate his well-meaning and generous Aunt Mona. The Sheehogues play a minor role in the story, appearing only in brief addenda to each chapter, much in the way that they remain an unseen but invaluable help to Andy. (Fiction. 11-14)
Pub Date: March 25, 2002
ISBN: 0-374-35057-4
Page Count: 192
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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