A brief, powerful historical novel that reflects on the beauty and brutality of life in wartime.
In this gripping novel, Paul (Nothing is Strange with You, 2008) chronicles bloody Civil War battles fought by the 95th Pennsylvania regiment.
As the novel opens in May 1864, the 95th Pennsylvania Volunteers have dwindled from the infamous “Original Twenty-Five” to just 12. These young men, encamped in Virginia, introduce themselves in an opening sequence that relies on formulaic descriptions (“a twenty-two-year-old typesetter and aspiring journalist from Philadelphia”) but benefits from rollicking dialogue (“Oh, I’ll tell you about it soon.” “When? When we’re all dead and buried?”). Although Paul includes real-life historical figures in the story, such as Gen. Ulysses S. Grant, he invented these dozen major characters. As the soldiers each discuss heroism and self-abnegation, they develop distinctive personalities. Their tone is often one of philosophical resignation—when “[g]ood men get killed every day,” “it ain’t always important whether you live or die,” one insists—but some soldiers are also devout religious believers, praying for God’s mercy for themselves and the Confederates. Paul effectively recreates the atmosphere of wearisome marches and gory warfare, and his combat scenes are matter-of-fact and graphic: There are gunshot and bayonet wounds but also crushed testicles and teeth-torn throats—as well as an unexpected erection in a scene of uncomfortably sexualized violence. The narrative often shifts to a single character’s perspective, only to have him suddenly shot to death. Such unsentimental bluntness, however, contrasts with Paul’s overall concern for his characters’ psychological back stories; Abbot, for instance, longs to join an English theater troupe, while Greisler is terrified of fire. The novel’s finest chapter details a wounded soldier’s struggle to escape an eerie forest and rejoin the company, and it balances irony and tragedy perfectly, juxtaposing tender flashbacks of the soldier’s prewar life against the blood-soaked present. As the novel concludes, with just a “quartet of survivors” remaining to parade through Philadelphia, the sadness is tempered by the prospect of new life ahead: “[Babcock] resumed walking forward—or backward—or sideways, or up and down—into what looked like the future.” Paul’s canvas may be limited in this novel, but his talent could easily sustain future works of epic historical fiction.
A brief, powerful historical novel that reflects on the beauty and brutality of life in wartime.Pub Date: Dec. 13, 2013
ISBN: 978-1-4936-9582-9
Page Count: 164
Publisher: CreateSpace
Review Posted Online: Feb. 24, 2014
Kirkus Reviews Issue: April 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
