In 1984 was published the news-capturing scholarly work, the "Critical and Synoptic Edition" of James Joyce's Ulysses, which, as The New York Times said, corrected "almost 5,000 omissions, transpositions and other errors included in previous editions of the seminal 20th-century novel." That remarkable work of scholarship, labor, and love, however, ran to three volumes in heft and rang up at $200 in price. Here, then, comes the single-volume trade-book edition of the same edited and restored text, placing the great novel, in as close to its originally-intended form as can be achieved, within reach of the common reader. Missing only is the vast scholarly apparatus of the longer version, though this one comes with a pleasantly helpful preface by Joyce biographer Richard Ellmann and a methodologically explanatory afterward by Hans Walter Gabler. A welcome event. Publication date, readers will note, is Bloomsday.
Pub Date: June 16, 1975
ISBN: 1613821174
Page Count: -
Publisher: Random House
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: May 15, 1986
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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