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SINATRA

THE CHAIRMAN

An appropriately big book for an oversized artistic presence.

The meatiness of the material justifies the length of the author’s second (and concluding) volume of his biography of Frank Sinatra (1915-1998).

Just as his subject matured into a far more compelling artist than the one who had elicited squeals from bobby-soxers, the follow-up to Kaplan’s Frank: The Voice (2010) is far more substantial than that initial volume. Where the biographer subjected the early Sinatra to plenty of psychobabble—lots of mommy issues—and purple prose (particularly steamy with Ava Gardner), the story that begins with his mid-1950s resurgence sustains its own narrative momentum with the author generally staying out of the way. The allure of Gardner remains, long after their short-lived marriage, but Sinatra has grown in accomplishment (and reader interest) as a recording artist, an actor, a Nevada tycoon, a record-label mogul, and a controversial public figure. His pals at the time included future president John F. Kennedy and Chicago mob boss Sam Giancana—as well as the notorious Judith Campbell Exner, who was involved with all three—and Kaplan nimbly imagines the negotiations of power and influence, as Kennedy ultimately froze Sinatra out and Giancana threatened his life. The author explores the ambivalence of Sinatra’s relationships with Dean Martin and Sammy Davis Jr. and his propensity toward both public boorishness and private benevolence, and he illuminates his “astonishingly intimate singing, created in the one place where Frank Sinatra was capable of creating intimacy.” Kaplan still displays pulpy flashes, in his evocation of how Sinatra and Mia Farrow “began to explore the strange new territory of each other” and “were a strange hybrid, this May-September pair, holding hands over a chasm, trying to stay together in spite of everything.” Refusing to take sides between Sinatra’s widow and his progeny, Kaplan treats the final years of Sinatra’s life in comparatively perfunctory fashion. But most of the rest provides a riveting story, strong enough to stand on its own without a lot of authorial embellishment.

An appropriately big book for an oversized artistic presence.

Pub Date: Oct. 27, 2015

ISBN: 978-0-385-53539-7

Page Count: 992

Publisher: Doubleday

Review Posted Online: Sept. 14, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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