by James Kelman ‧ RELEASE DATE: April 23, 2013
Though it lacks much of an arc, the novel’s brevity and lack of affect are to its credit: a gritty and wise snapshot of...
A bracing stream-of-consciousness tale of life on London’s lower rungs from the veteran Scottish novelist and Booker Prize winner.
Virginia Woolf’s and James Joyce’s studies of characters’ inner ramblings are a Modernist artifact for plenty of writers and readers today. But for Kelman, they remain a useful way to explore the depths of people often considered outsiders. His Booker-winning 1994 novel, How Late it Was, How Late, tunneled deep into the mind of a Scottish ex-convict, and his most recent novel, the 2008 Kieron Smith, Boy, did much the same for a pre-adolescent child. The hero of this novel is Helen, a working-class Scottish woman struggling to keep her family (and herself) together in London. On her way home from work at a casino, she sees a homeless man who resembles her estranged brother, and from there, a universe of concerns emerge: Her broken relationship with her brother and parents, her difficult 6-year-old daughter, the racism that her Muslim partner (the Mo of the title) faces and how that racism affects her. Plotwise, little happens in this day-in-the-life story: She comes home from work, spends time with Mo and her daughter, tries to sleep, then heads to work again. That simplicity, combined with the generally glancing observations Helen makes about her life, makes this novel a less substantial portrait than it could have been; Kelman eschews false drama, but in favor of a dry cinéma vérité. Still, Helen’s voice is casual, funny, earnest and a pleasure to spend time with, and in time, Kelman carefully builds her wealth of concerns into an intense can’t-take-it-anymore fury. Her fear of slipping off that last rung is real.
Though it lacks much of an arc, the novel’s brevity and lack of affect are to its credit: a gritty and wise snapshot of urban life.Pub Date: April 23, 2013
ISBN: 978-1-59051-600-3
Page Count: 320
Publisher: Other Press
Review Posted Online: Feb. 6, 2013
Kirkus Reviews Issue: March 1, 2013
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by James Kelman
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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