Art isn’t easy, as this entertaining look at the making of a cultural touchstone amply demonstrates.
Conversations with the creators of a landmark American musical.
Lapine was “an accident of the theater,” an Ohio native whose first Broadway experience was the time when, at age 11, his parents took him to Bye Bye Birdie and he clumsily thrust his souvenir program at star Dick Van Dyke and gave him a paper cut on the nose. He had intended to pursue a career in photography, but he became an off-Broadway playwright, work that attracted the interest of Stephen Sondheim. Their first collaboration, Lapine’s debut as a writer/director, was Sunday in the Park With George (1984), a musical inspired by Georges Seurat’s pointillist painting A Sunday Afternoon on the Island of La Grande Jatte. This delightful book revisits the two years they spent telling a fictionalized version of Seurat’s life. Lapine conducted conversations with around 40 people involved with the show to create “a mixed salad: one part memoir, one part oral history, one part ‘how a musical gets written and produced.’ ” Among the participants are Sondheim, stars Mandy Patinkin and Bernadette Peters, and musical director Paul Gemignani. The result sometimes feels like a mutual admiration society, with the casting director saying Sondheim was “incredibly generous to all of us,” Lapine saying how much he learned from Peters and Patinkin, and so on. But fans will find much to love, including the complete text of Lapine’s script and Sondheim’s lyrics and reproductions of handwritten notes, sheet music, drawings of costumes, and more. A highlight is the long section in which Sondheim describes his process of composing a song. The author is refreshingly candid about his role in his actors’ frustrations—a continuation of his childhood clumsiness—as when he told cast member Brent Spiner, “You’re not a character, you’re a color,” to which Spiner replied, “Would you mind telling me what color?” As Lapine admits, “I wasn’t the most popular guy in the room.”
Art isn’t easy, as this entertaining look at the making of a cultural touchstone amply demonstrates.Pub Date: Aug. 3, 2021
ISBN: 978-0-374-20009-1
Page Count: 416
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
