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AFTERNOON OF A FAUN

Of the novels to come out of the #MeToo moment to date, none is more riveting, insightful, and unsettling. Lasdun is the...

When a man is accused of rape by a colleague he had a fling with 30 years earlier, a friend with ties to both parties tries to sort out what actually happened.

Lasdun (The Fall Guy, 2017, etc.) explores the social and psychological aspects of an abuse accusation in an expertly orchestrated and engaging novel set during the run-up to the 2016 election, back when candidate Trump's treatment of women looked like it could cause him trouble. Marco Rosedale is a middle-aged British television journalist now living in Brooklyn with his grown daughter, her partner, and his own somewhat younger Lebanese-Australian girlfriend. He has everything to lose when he hears from a British newspaper that a woman named Julia Gault is about to go public with an accusation against him in her memoir, based on a long-ago boozy fling which he recalls as consensual. His old friend, the unnamed narrator, is his main confidant as he moves from panic and confusion to maneuvering and mobilization. The narrator also knows Julia Gault; she was a protegée of his mother's and he had a teenage crush on her back in the day; in fact, he had at one point ambitiously planned to write a fictional portrait of her "in the monumental manner of Proust's Odette." Lasdun hooks the reader on his narrative with brief, tautly controlled chapters, each one adding new evidence and detail and relying on acute observation of the sometimes-bizarre machinations of the psyche. "I genuinely didn't know what I thought," explains the narrator as his opinion “lurch[es] between an icy willingness to condemn every accused man without further questioning, and what appeared to be a perverse, atavistic loyalty to the patriarchy that would take hold of me like a temporary seizure, and from which I would emerge stunned at myself."

Of the novels to come out of the #MeToo moment to date, none is more riveting, insightful, and unsettling. Lasdun is the perfect writer to navigate these troubled waters from the male perspective.

Pub Date: April 9, 2019

ISBN: 978-1-324-00194-2

Page Count: 160

Publisher: Norton

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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