by James M. Deem ‧ RELEASE DATE: Oct. 24, 2005
This fascinating exploration of the buried city of Pompeii begins with a recreation of the catastrophic eruption of Vesuvius and ends with a snapshot of Pompeii today. In between are packed details of the various excavations that have led to our current knowledge of both the life and death of the city. Weaving in the contemporary account of Younger Pliny and the archaeological evidence, the narrative meticulously describes the effects of the various stages of the eruption on the inhabitants and the topography of Pompeii and its neighboring communities. The city’s rediscovery receives equally careful coverage, a whole chapter covering Giuseppe Fiorelli’s revolutionary technique of creating plaster casts of the victims from the cavities left by their bodies. Avoiding the opportunity to sensationalize, Deem’s consistently respectful treatment places the humanity of the victims at the fore. One signal weakness, however, is that the photographs that generously illustrate this volume are not identified or dated within the caption, leaving readers in the dark as to what is archival and what is modern. (bibliography, index) (Nonfiction. 8-12)
Pub Date: Oct. 24, 2005
ISBN: 0-618-47308-4
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by James M. Deem ; photographed by Leon Nolis
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by Alan Gratz ‧ RELEASE DATE: Feb. 2, 2021
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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by Alan Gratz ; illustrated by Judit Tondora
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by Alan Gratz ; illustrated by Brent Schoonover
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by Peggy Thomas & illustrated by Layne Johnson ‧ RELEASE DATE: Feb. 1, 2008
A pleasing new picture book looks at George Washington’s career through an agricultural lens. Sprinkling excerpts from his letters and diaries throughout to allow its subject to speak in his own voice, the narrative makes a convincing case for Washington’s place as the nation’s First Farmer. His innovations, in addition to applying the scientific method to compost, include a combination plow-tiller-harrow, the popularization of the mule and a two-level barn that put horses to work at threshing grain in any weather. Thomas integrates Washington’s military and political adventures into her account, making clear that it was his frustration as a farmer that caused him to join the revolutionary cause. Lane’s oil illustrations, while sometimes stiff, appropriately portray a man who was happiest when working the land. Backmatter includes a timeline, author’s notes on both Mount Vernon and Washington the slaveholder, resources for further exploration and a bibliography. (Picture book/biography. 8-12)
Pub Date: Feb. 1, 2008
ISBN: 978-1-59078-460-0
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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by Peggy Thomas ; illustrated by Stacy Innerst
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by Peggy Thomas ; illustrated by Edwin Fotheringham
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