Explosively dramatic.
The slave-owning culture of Maryland’s eastern shore in the 1850s comprises the world of McBride’s second novel (following Miracle at St. Anna, 2002, and the bestselling memoir The Color of Water: A Black Man’s Tribute to His White Mother, 1996).
Recaptured runaway slave Liz Spocott, wounded by a musket blast and chained to fellow runaways in the attic of “trader”-crime boss Patty Cannon, learns “the Code” by which embattled slaves communicate and survive from a skeletal woman (“The old Woman With No Name”) and, acting on a chance opportunity, escapes again. The novel then assumes the shape of a series of quests and pursuits. Liz wanders along a perilous route which she hopes will lead her to the Freedom Train, hence northward to safety—accompanied and bedeviled by prophetic “visions” that reach far into “the future of the colored race.” The latter are often eerily compelling, but when “the Dreamer” Liz “sees” rap and hip-hop performances, and eventually Martin Luther King’s “Free At Last” speech, the novel groans under the weight of forced Significance. Far more compelling are parallel tales: of the Woolman, a gigantic black who lives in a swamp and keeps an alligator named Gar; widowed landowner Kathleen Sullivan, unhinged by sexual longing for her handsome young slave Amber; and Denwood Long, a former slave-catcher lured out of retirement to return Liz to her irate owner Colonel Spocott. While its language is frequently stiff and unconvincing, the book has great compensatory strengths. McBride views the “peculiar institution” of slavery from an impressive multiplicity of involved characters’ and observers’ viewpoints. He describes emotionally charged, hurried actions superbly, and he makes expert use of folklore, legend and the eponymous unsung song (which we do eventually hear). In Denwood’s grim, fatalistic pursuit of his destiny, McBride has fashioned a myth of retribution and sacrifice that recalls both William Faulkner’s sagas of blighted generations and Toni Morrison’s Song of Solomon.
Explosively dramatic.Pub Date: Feb. 1, 2008
ISBN: 978-1-59448-972-3
Page Count: 464
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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