worth packing for the next campaign.
McCourt’s latest potboiler cuts an uneven swath through the nation’s capital, lovingly portrayed (in the sharpest Hogarthian
lines) as a nest of social climbers, criminals, homosexuals, mafiosi, religious fanatics, black supremacists, and politicians. We’ve met Danny Delancey and many of his friends before (Time Remaining, 1993, etc.). A reporter for the East Hampton Star (Long Island’s toniest local paper), Delancey is an inveterate survivor who grew up on the Lower East Side, went off to a Christian Brothers boarding school, and came out in Greenwich Village (during the pre-AIDS bacchanal of the 1970s, no less)—and lives to tell the tale. Now, in early middle age, he leads a somewhat more sedate life on the eastern edge of Long Island, but he can still rise to the occasion when adventure beckons. This particular adventure, however, doesn’t look particularly wild at first: It begins when Delancey is assigned to cover the congressional debate over a new environmental bill. Once inside the District, though, Delancey finds himself in a world as foreign and malign to him as the plains of Kansas would be to Kurt Weill. The president, a Bill Clinton look-alike known as POTUS, is something of a local joke, but Delancey soon finds himself sniffing out what seems to be the scent of some vast conspiracy against the man—and not just against his politics, either. Is an assassination plot hatching? Delancey has the advantage of being an outsider who can ask questions without arousing suspicion, and he also has an array of friends—gay porn star Rain, Georgetown society hostess Bam-Bam, opera diva Vana Sprezza—who can open doors that most journalists don’t even know how to find in broad daylight. But intelligence is only half the equation: Can Delancey tell the tale? Judge for yourself. A bit hyperactive even for a thriller, but McCourt’s narrative has a nice satiric edge and an air of credibility that make it
worth packing for the next campaign.Pub Date: Feb. 28, 2000
ISBN: 0-375-40311-6
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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