A rousing and provocative political thriller, though the labyrinthine plot can make for an arduous read.
The FBI races to uncover a complex conspiracy to hijack a presidential election.
McCrone’s (Faithless Elector, 2016) second installment in the Imogen Trager series picks up where its predecessor left off: a plot to steal the presidency results in the murders of seven electors, in retribution for their refusal to change their votes, and three faithless electors, who were killed in order to silence them. After a chaotic shootout, the assistant director of the FBI languishes in a medically induced coma; professor Duncan Calder (Trager’s love interest) is badly wounded; and Thomas Kurtz, an FBI agent complicit in the conspiracy, is dead. There is powerful evidence of electoral fraud in Illinois, and it’s likely that when Congress convenes, it will deem the votes of the faithless electors illegitimate. In that case, in accordance with the 12th Amendment, a vote by the House of Representatives will select a new president and one by the Senate, a new vice president, the two possibly from different parties. Both presidential candidates—Republican James Christopher and Democrat Diane Redmond—suggest the other is culpable of fraud, and the public grows violently disillusioned by an increasingly shambolic pantomime of the democratic process. McCrone skillfully depicts a country pushed to the brink: “In this atmosphere, it was growing harder to know what was going on at all, nor what information to trust. The Constitution was straining at the seams.” Trager helps the FBI find evidence of two conspiratorial cells—one operating within the bureau and one outside of it. The acting executive assistant director of the FBI, Don Weir, worries that the agency continues to be infiltrated by moles. The author yet again deftly delivers a combination of stirring action and remarkably intricate plot entanglements. And this is a timely and intelligent commentary on the current state of electoral politics in America—a dour sense of voter disenfranchisement in response to dizzyingly ubiquitous corruption. But the plot is sometimes torpidly complex, and despite dutiful synopses of prior events regularly issued, this will be a difficult book to follow for those who haven’t read the first.
A rousing and provocative political thriller, though the labyrinthine plot can make for an arduous read.Pub Date: Oct. 17, 2017
ISBN: 978-0-692-79784-6
Page Count: 249
Publisher: Faithless Elector
Review Posted Online: Nov. 9, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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