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PANTHER GAP

Breathtaking vistas and hallucinatory visions weighed down by pedestrian villainy and narrative expediency.

A fractured family, secrets, and a big bag of cocaine lead to short, sharp violence in the Colorado wilderness.

This follow-up to Bearskin (2018) is marked by many of the same traits that made McLaughlin’s Edgar Award–winning debut so rewarding, not least the spare, menacing prose depicting a man seeking redemption in isolation. But while the two books’ mechanics are similar, the idiosyncrasies of the heroes here don’t inspire much sympathy, and the deus ex machina acrobatics setting events in motion fray the book’s credibility. The heart of the story lies in two siblings, dissimilar as oil and water yet inextricably tied together. Summer Girard is the reasonable, responsible one who, along with uncles Jeremy and Darwin, is holding down the fort on a struggling cattle ranch near Durango, Colorado. Her brother, Bowman, is a whole other animal, a near-feral drifter whose notions of his one-quarter Native American heritage (“tribe unknown”) combined with nerve damage from exposure to fish toxins have left him paranoid and troubled. Two precipitating events harden Summer’s resolve to keep her ranch and bring Bowman out from where he's hiding in Costa Rica. First, road-tripping lawyer Sam Hay and his pal Mac realize that Melissa, the young woman they picked up in a cafe, might land them in big trouble with a Mexican cartel over the large backpack full of coke she claims to have stolen from her boyfriend. Simultaneously, Summer discovers that her grandfather Martin has left her and Bowman a secret stash of money they can only claim together at a bank in Denver. While Summer reluctantly agrees to protect Sam when she finds him looking for water on her land, having been deserted by Mac and Melissa, a mobster colleague of her grandfather’s named Jake Salifano gets word of her inheritance and dispatches a violent, armed prison gang to take back his ill-gotten gains. Stylistically, McLaughlin’s novels recall Taylor Sheridan’s films, most notably Wind River and his adaptation of Michael Koryta’s Those Who Wish Me Dead. The prose and the setting remain arthouse cool, but the triggering menace and nominal twists are strictly B-movie material.

Breathtaking vistas and hallucinatory visions weighed down by pedestrian villainy and narrative expediency.

Pub Date: April 4, 2023

ISBN: 9781250821003

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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