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PANTHER GAP

Breathtaking vistas and hallucinatory visions weighed down by pedestrian villainy and narrative expediency.

A fractured family, secrets, and a big bag of cocaine lead to short, sharp violence in the Colorado wilderness.

This follow-up to Bearskin (2018) is marked by many of the same traits that made McLaughlin’s Edgar Award–winning debut so rewarding, not least the spare, menacing prose depicting a man seeking redemption in isolation. But while the two books’ mechanics are similar, the idiosyncrasies of the heroes here don’t inspire much sympathy, and the deus ex machina acrobatics setting events in motion fray the book’s credibility. The heart of the story lies in two siblings, dissimilar as oil and water yet inextricably tied together. Summer Girard is the reasonable, responsible one who, along with uncles Jeremy and Darwin, is holding down the fort on a struggling cattle ranch near Durango, Colorado. Her brother, Bowman, is a whole other animal, a near-feral drifter whose notions of his one-quarter Native American heritage (“tribe unknown”) combined with nerve damage from exposure to fish toxins have left him paranoid and troubled. Two precipitating events harden Summer’s resolve to keep her ranch and bring Bowman out from where he's hiding in Costa Rica. First, road-tripping lawyer Sam Hay and his pal Mac realize that Melissa, the young woman they picked up in a cafe, might land them in big trouble with a Mexican cartel over the large backpack full of coke she claims to have stolen from her boyfriend. Simultaneously, Summer discovers that her grandfather Martin has left her and Bowman a secret stash of money they can only claim together at a bank in Denver. While Summer reluctantly agrees to protect Sam when she finds him looking for water on her land, having been deserted by Mac and Melissa, a mobster colleague of her grandfather’s named Jake Salifano gets word of her inheritance and dispatches a violent, armed prison gang to take back his ill-gotten gains. Stylistically, McLaughlin’s novels recall Taylor Sheridan’s films, most notably Wind River and his adaptation of Michael Koryta’s Those Who Wish Me Dead. The prose and the setting remain arthouse cool, but the triggering menace and nominal twists are strictly B-movie material.

Breathtaking vistas and hallucinatory visions weighed down by pedestrian villainy and narrative expediency.

Pub Date: April 4, 2023

ISBN: 9781250821003

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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