Lively prose and a weakness for hilariously bad “death jokes” are prominent among the pleasures offered by this otherwise overwrought satirical fantasy: the conclusion of a loose trilogy depicting a godless near-future (Towing Jehovah, 1994; Blameless in Abaddon,1996). The millennium has dawned, and God (Who died some time ago) exists only as the “Cranium Dei” (His disembodied skull), which orbits the Earth daily, as a second sun-and-moon and a celestial memento mori. Morrow’s insanely ingenious plot, reminiscent, variously, of B’science-fiction movies in the 1950s, Evelyn Waugh’s The Loved One, and Terry Southern at his most charmingly deranged, brings together several characters unwilling to accept evidence of the planet’s (and their own) mortality, and involves them with patently symbolic avatars of the new nihilism (for example, Dr. Adrian Lucido, a crack psychoanalyst who specializes in euthanasia for the unwilling—thus “preparing” people for immortality. It’s probably best not to try to figure out all the twists and turns, and simply enjoy such feisty survivors as florist delivery-person Nora Shafron and her adolescent son Kevin, who’s one of the first victims of a “plague” that renders humans subject to their “private demons” (Kevin’s is a wisecracking ghoul named Quincy); famed sculptor Gerard Korty, whose herculean effort to render Dante’s Divine Comedy into stone earns a commission from the Vatican to create a reliquary for “God’s bones”—with inartistic, indeed chaotic consequences; and the captain of a tanker who’s responsible for a major oil spill and experiences a most curious redemption. Besides transfiguring Dante, Morrow makes amusing use of Emily Dickinson’s more morbid poems, and the grave and reverend figures of Erasmus and Luther (whom Gerard imagines in heated theological discussion). If you get a kick out of the pre-Christian epic of Gilgamesh dramatized and performed by “The Great Sumerian Traveling Circus and Repertory Company,” and stuff like that, then this is the millennial novel for you. If not, there’s always The Divine Comedy.
Pub Date: Nov. 1, 1999
ISBN: 0-15-129325-2
Page Count: 376
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
