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FLIGHT RISK

MEMOIRS OF A NEW ORLEANS BAD BOY

A wryly eloquent memoir of world travel and the joys, and difficulties, of returning home.

An award-winning writer’s account of a life lived in flight from a Louisiana birthplace that ultimately drew him back.

A fifth-generation New Orleans native, Nolan’s (Higher Ground, 2011, etc.) Southern roots ran deep. But by 1968, he realized that his birthplace was as much a “jailhouse” as the psychiatric ward where his mother’s doctor had temporarily confined him for the rebellious behavior he saw as “sick.” After his girlfriend and an ACLU lawyer helped him get out, he took a Greyhound bus to San Francisco. There, he befriended members of the theater group the Cockettes and lost his “gay cherry” in the process. After trips to Colombia, Nolan then became involved in political protests against the American government’s nefarious involvement in Latin America, especially the democratically elected government of Chile. By the mid-1970s, he had become an itinerant professor, fallen in love with a dancer, and moved to Guatemala. His association with political dissenters led to arrest and incarceration, but his escape-artist talent saved him from “certain death” yet again, and he was able to go free. However, like the forebears who had “move[d] across oceans” in the 19th century to establish a life in the French Quarter, Nolan soon found himself doing much the same. His first crossing was to Spain then, a few years later, to China, a country from which he fled after a semester of teaching at a university where he was excluded from planning a revolution for which he hungered. Eventually he returned to New Orleans only to watch his birthplace, already caught in a “boozy maelstrom of guns and drugs, murder and corruption,” struggle in the aftermath of Hurricane Katrina. Filled with eccentric characters—many of whom Nolan memorializes with included black-and-white photographs—and outrageous situations, Nolan’s work also offers serious, often sardonic reflections on such diverse topics as race, family, consumerism, progress, and the fate of a generation of countercultural idealists.

A wryly eloquent memoir of world travel and the joys, and difficulties, of returning home.

Pub Date: March 1, 2017

ISBN: 978-1-4968-1127-1

Page Count: 256

Publisher: Univ. Press of Mississippi

Review Posted Online: Jan. 9, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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