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ALL-AMERICAN MURDER

THE RISE AND FALL OF AARON HERNANDEZ, THE SUPERSTAR WHOSE LIFE ENDED ON MURDERERS' ROW

There is a reason why true crime sells, of course, especially when it involves famous people: A blend of gore, fame, and...

The rapid-fire tale of one of the most infamous true-crime stories of the past decade.

As Patterson (The People vs. Alex Cross, 2017, etc.) and Abramovich (Bullies: A Friendship, 2016) demonstrate early on, Aaron Hernandez (1989-2017) appeared to have it all. A football star in Connecticut, he was recruited to play at the University of Florida, where he was a standout tight end. Although there were a few whispers of behavioral issues when he was in Gainesville that led to him dropping in the NFL draft, Hernandez was drafted by the New England Patriots. His trajectory continued to rise in the NFL, where he made the Pro Bowl and eventually earned a contract extension worth $40 million. Then it all went awry. In 2015, Hernandez was convicted of the 2013 murder of his fiancee’s sister’s boyfriend and later put on trial—though acquitted—for a double murder in Boston that happened before the murder for which he was convicted (and which the authors clearly believe he committed). The handsome and charming but volatile football star was sentenced to life in prison without the possibility of parole; in 2017, he was found dead in his cell of an apparent suicide. As can be expected in any book with Patterson’s name on the cover, the authors tell the Hernandez tale in page-churning fashion. The book, just over 380 pages of text, contains 97 chapters as well as a prologue, coda, and epilogue, virtually none more than five pages long, most three or four. This approach will undoubtedly keep readers moving, but it also leaves little room for depth and nuance. The book also lacks footnotes, endnotes, a bibliography, or any other sourcing.

There is a reason why true crime sells, of course, especially when it involves famous people: A blend of gore, fame, and voyeurism is a compelling mixture in our violent, fame-obsessed society. There is also a reason why the genre has a reputation for gratuitousness. A middling true-crime saga that fails to answer a significant question: Why?

Pub Date: Jan. 22, 2018

ISBN: 978-0-316-41265-0

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Feb. 12, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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