When Aje, the daughter of the river goddess Yemoya, leaves her underwater home to marry, what she misses most is the night. The sun shines all the time in her new home and hurts her eyes. Her husband sends couriers to Yemoya, with the request that they return with some night. Yemoya gladly packs a sack for them, warning the creatures not to peek inside. Of course, that’s a temptation too big for the animals to resist; all the bats, owls, gnats, spiders, and darkness whoosh out of the bag. At first, the animals are scared, but they soon adjust to the darkness, as does Aje, who falls into a deep peaceful sleep. The next morning, she names the morning star, the rooster, and the early rising birds as symbols of dawn. Riordan’s language is perfunctory, but Stow’s pictures portray both the fluid blue of underwater life, and the parching hot yellows and oranges of the earth. This competent retelling, fully sourced, could be added to more extensive folklore collections. (Picture book/folklore. 5-8)
Pub Date: Feb. 1, 1999
ISBN: 0-7613-1358-3
Page Count: 32
Publisher: Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
A foolish hero, a featherbrained heroine, and a bevy of muddle-headed characters lead the cast in this wry retelling from Kellogg (The Three Little Pigs, 1997, etc.). When a buffoonish gentlemen courts a young maiden, he discovers that silliness is epidemic in her family. While getting some cider, the young maiden daydreams about her pending marriage, the birth of her son, his growth to manhood, and his death when a mallet “donks” him on the head. She begins crying, relates the sorry scenario to her parents, and sets them sobbing, too. The gentlemen sets out to find three people sillier than his future wife and in-laws, a task that is easier than he imagined, and he returns willingly to their fold. A close encounter with the mallet during the wedding festivities serves the gentleman a slice of crow as he ultimately appears the most foolish of all. Kellogg’s bright, cartoon-like illustrations coupled with the hilarious captions make for a raucous tale that pokes fun at the foibles of those who count themselves as serious. (Picture book/folklore. 4-8)
Pub Date: Nov. 1, 1999
ISBN: 0-7636-0811-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
Readers follow a fourth grade Amish girl named Anna through the four seasons in a gentle tale from Ammon (An Amish Christmas, 1996, not reviewed). Perhaps in the spirit of Amish culture, the book does not engage reader through flashy illustrations or a kitschy plot. Instead, it offers a sense of serene assurance that arises from this community that is attempting to live according to its set of beliefs. Anna’s life, as with all Amish, revolves around the seasons, home, and farm. Hard work, milking the cows, tending the vegetable garden, and school take up most of her time, but that does not preclude fun; there is a time and place for everything in her life, including play when the work is done. Like the “English” (non-Amish), Anna and her friends enjoy softball, volleyball, flying kites, sledding, etc. Ammon makes Anna approachable, subtly revealing the similarities between her life and readers’ while illuminating the fundamentals of Amish culture. The well-researched, luminous illustrations resonate with the beauty of this life and are an integral part of the book. For a hurly-burly society, the notion of families gathering and caring for one another in an extended network of aunts, uncles, and cousins is inviting and accessible. (Picture book. 5-7)
Pub Date: Feb. 1, 2000
ISBN: 0-689-82622-2
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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