The beginning of what could be Corey’s most epic—and entertaining—series yet. Simply mind-blowing.
The first installment in the pseudonymous Corey’s Captive’s War series begins an epic narrative about a subjugated humankind and its tenuous survival in the midst of an ancient war.
When the godlike Carryx—who have “ruled the stars for epochs”—and their minion races arrive around the planet Anjiin, the humans who live there are conquered seemingly without effort. After one-eighth of the population is quickly killed, those worthy of saving are separated and taken off-planet, back to one of the Carryx’s world-palaces. Once there, the remaining humans realize they’ve finally had some important scientific questions answered: “Alien life exists, and they are assholes.” The humans’ predicament is simple: If they’re not beneficial to the Carryx in some way, their entire race will be eliminated. Trapped in a massive prison world with hundreds of other enslaved races, elite researchers like Dafyd Alkhor and Tonner Freis must stay alive long enough to prepare some kind of retribution against their alien overlords. While the character development is exceptional, the pacing breakneck, the emotional intensity off the charts, and the worldbuilding simply extraordinary, it’s the sheer scope of the narrative—the Carryx’s backstory, their “long” war, the countless sentient races they’ve conquered and/or destroyed, etc.—that will have science fiction fans befittingly blown away. The sense of wonder associated with the story’s magnitude is simply breathtaking. Here is just an example of one of the Carryx’s world-palaces: “The huge arcs of alien structure, one part building and two parts the bones of strange gods, glittered with a million other windows like theirs. The ziggurats that marched along the curve of the planet, poking their sullen bronze heads up above the clouds, were a cityscape twisted by nightmare, starkly beautiful but vast enough to induce vertigo.”
The beginning of what could be Corey’s most epic—and entertaining—series yet. Simply mind-blowing.Pub Date: Aug. 6, 2024
ISBN: 9780316525572
Page Count: 432
Publisher: Orbit
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A well-written if elusive treat for fans of modern mythologizing.
In which the Angel of Death really wants to take a holiday.
“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream- and rust-colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).
A well-written if elusive treat for fans of modern mythologizing.Pub Date: July 23, 2024
ISBN: 9780593446591
Page Count: 352
Publisher: Del Rey
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
