THE MERCY OF GODS

The first installment in the pseudonymous Corey’s Captive’s War series begins an epic narrative about a subjugated humankind and its tenuous survival in the midst of an ancient war.

When the godlike Carryx—who have “ruled the stars for epochs”—and their minion races arrive around the planet Anjiin, the humans who live there are conquered seemingly without effort. After one-eighth of the population is quickly killed, those worthy of saving are separated and taken off-planet, back to one of the Carryx’s world-palaces. Once there, the remaining humans realize they’ve finally had some important scientific questions answered: “Alien life exists, and they are assholes.” The humans’ predicament is simple: If they’re not beneficial to the Carryx in some way, their entire race will be eliminated. Trapped in a massive prison world with hundreds of other enslaved races, elite researchers like Dafyd Alkhor and Tonner Freis must stay alive long enough to prepare some kind of retribution against their alien overlords. While the character development is exceptional, the pacing breakneck, the emotional intensity off the charts, and the worldbuilding simply extraordinary, it’s the sheer scope of the narrative—the Carryx’s backstory, their “long” war, the countless sentient races they’ve conquered and/or destroyed, etc.—that will have science fiction fans befittingly blown away. The sense of wonder associated with the story’s magnitude is simply breathtaking. Here is just an example of one of the Carryx’s world-palaces: “The huge arcs of alien structure, one part building and two parts the bones of strange gods, glittered with a million other windows like theirs. The ziggurats that marched along the curve of the planet, poking their sullen bronze heads up above the clouds, were a cityscape twisted by nightmare, starkly beautiful but vast enough to induce vertigo.”

The beginning of what could be Corey’s most epic—and entertaining—series yet. Simply mind-blowing.