The noir formula readily accommodates Sallis’ mannered dialogue. Even so, most readers will feel a jarring split between the...
Just in time for fans of the Ryan Gosling film adaptation, the further adventures of Driver (Drive, 2005).
He’s been calling himself Paul West for seven years. That’s the name by which his fiancée, Elsa Jorgenson, knew him when she died, killed by a pair of goons Driver swiftly dispatched. But everyone outside Elsa’s family (“we are your family,” her father mournfully tells him) still calls him Driver. It’s presumably Driver, not Paul West, that the men sent to follow him are interested in. Acquiring an innocuous-looking Fairlane 500 and tweaking its engine, Driver begins to make more and more adventurous forays outside Phoenix, where he’s settled. He shares portentous conversations with his hardheaded buddy Felix and his screenwriter friend Manny. He hooks up with law student Stephanie Cooper, whose ex-cop father Bill is sitting in a nursing home indulging in even more cryptic exchanges with ex–Special Forces visitor Wendell. He takes a meeting with self-anointed problem solver James Beil, who hints that Driver’s problems may be closely akin to his own. He works his way up the food chain to post-Katrina carpetbagger Gerald Dunaway and big wolf Bennie Capel in a search for whoever’s sent the interchangeable guys who’ve been dogging his tracks. All the while, Sallis (The Killer Is Dying, 2011, etc.) is using his mouthpieces to dispense nonstop nuggets of existential wisdom (“We think we make choices. But what happens is the choices walk up, stand face to face with us, and stare us down”) that both prepare and compensate for the inconclusiveness of the plot.
The noir formula readily accommodates Sallis’ mannered dialogue. Even so, most readers will feel a jarring split between the ostensibly thrilling tale and the downbeat commonplaces that punctuate it, or vice versa.Pub Date: April 3, 2012
ISBN: 978-1-4642-0010-6
Page Count: 158
Publisher: Poisoned Pen
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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