A brisk and sure-handed treat.
From veteran Sallis (Others of My Kind, 2013, etc.) comes this short, charming novel that's part noir mystery and part small-town slice of life.
The story starts fast and portentously (its first four words are "We found the bodies…"), and the book has the form of a suspense novel: there's a bewildering mass grave that must be excavated; a suddenly returned native, Bobby Lowndes, a boyhood-coma survivor who seems to be a military sniper gone AWOL, who keeps managing, wraithlike, to hide in plain sight; a dogged FBI agent named Theodora Ogden in town to track Lowndes; and more. It also has a talky, noirish tone, with lots of snappy patter and sharp, laconic, philosophical observation. But at its core, and satisfyingly, this turns out to be a character-driven novel about a thoroughly thoughtful, decent, compassionate doctor, Lamar Hale, and his community of colleagues, patients, friends, and acquaintances. Lamar and his wisecracking romantic partner, Richard, a teacher, provide a still domestic center around which the chaos revolves. Part of it is the usual stuff of noir, expertly deployed, and part the material of the eccentric-small-town novel. Sallis builds suspense over the many months the story spans by alternating between plot point and shaggy dog anecdote, making the reader wonder when and how the novel's two kinds of plot and rhythm will entwine: when will the violence and darkness finally encroach on this cozy domestic sphere and threaten or destroy it? Sallis' latest has a lot to recommend it: an ingenious and unusual use of the MacGuffin; pungent dialogue; a world that's either dark shot through with abundant light or light shot through with abundant dark; likable, complex characters.
A brisk and sure-handed treat.Pub Date: June 21, 2016
ISBN: 978-1-63286-452-9
Page Count: 192
Publisher: Bloomsbury
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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