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THIRTEEN O’CLOCK

A film animator for James and the Giant Peach makes his children’s book debut with this entertaining, deliciously quirky chronicle of a “ring-rackety clock-oddity” that chimes at 13 o’clock and a small girl in a “fairly normal house” who “thought it all quite nice.” Suspense builds with each bing, clank and toll of the clock: “The next horrifying chime numbering 9 / led to a curious clatter numbering 10, / the tenth tone to a horrendous number 11! / And with each haunting cue there came another / more horticulturally hideous than the other.” Internal rhyme, alliteration and whimsical wordplay abound, making this poetic story a delight for wordsmiths and a rather hypnotic read-aloud for the younger set who may not yet revel in sentences such as “Is it a peculiar pendulum with a precarious pivot?” Stimson’s stylized pencil illustrations, mostly black-and-white but tinged with mildew-green, recall Lane Smith’s work and crawl and swirl with spriteful frights, pumpkin creep sisters and other spooky sorts. Innovative designs and varied font sizes add to the fun of this offbeat offering. (Picture book. 7-10)

Pub Date: Oct. 1, 2005

ISBN: 0-8118-4839-6

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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GINGERBREAD BABY

In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-399-23444-6

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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HOW WINSTON DELIVERED CHRISTMAS

A Christmas cozy, read straight or bit by bit through the season.

Neither snow nor rain nor mountains of yummy cheese stay the carrier of a letter to Santa.

So carelessly does 8-year-old Oliver stuff his very late letter to Santa into the mailbox that it falls out behind his back—leaving Winston, a “small, grubby white mouse” with an outsized heart, determined to deliver it personally though he has no idea where to go. Smith presents Winston’s Christmas Eve trek in 24 minichapters, each assigned a December “day” and all closing with both twists or cliffhangers and instructions (mostly verbal, unfortunately) for one or more holiday-themed recipes or craft projects. Though he veers occasionally into preciosity (Winston “tried to ignore the grumbling, rumbling noises coming from his tummy”), he also infuses his holiday tale with worthy values. Occasional snowy scenes have an Edwardian look appropriate to the general tone, with a white default in place but a few dark-skinned figures in view. Less-crafty children will struggle with the scantly illustrated projects, which run from paper snowflakes to clothespin dolls and Christmas crackers with or without “snaps,” but lyrics to chestnuts like “The 12 Days of Christmas” (and “Jingle Bells,” which is not a Christmas song, but never mind) at the end invite everyone to sing along.

A Christmas cozy, read straight or bit by bit through the season. (Fantasy. 7-10)

Pub Date: Sept. 17, 2019

ISBN: 978-1-68412-983-6

Page Count: 176

Publisher: Silver Dolphin

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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