A wild, if occasionally slow, brew of sorcery, Satan, and rural America.
Debut author Toothman’s character-driven horror novel unfolds in West Virginia.
It’s 1970 in Clockmaker, West Virginia, a small coal-mining town, and teenagers Joseph Smith and Priscilla Carpenter feel trapped. Joseph will one day escape to follow the Grateful Dead, but Priscilla has no such out. She lives in constant fear of her abusive father, Everett. Life improves when Priscilla finds a book about witchcraft, but the dark arts aren’t easy to master. She must work with disgusting ingredients, and she must also learn discipline. To become a real witch, she patiently climbs the ladder, like a “kung fu master.” But her sacrifices will be worth it if she can, for example, make urine rain on those who deserve it. Of course, satisfying petty grievances is merely the beginning; when it seems Priscilla’s ready to set aside her witch’s cauldron, there’s much more to come. An older Priscilla revisits her powers to address a health issue and, in so doing, draws unholy attention to herself. Enter the devil himself. Toothman’s novel ably builds the inner life of his lead (as with Priscilla’s taste in literature) and includes occasional black-and-white drawings from illustrator Wotton. The result contains many tropes of the horror genre, but the story isn’t so easy to classify. It references historic events, including the Buffalo Creek flood, and riffs on subjects like telekinesis. It all makes for a novel packed with the unexpected, like a cannabis-smoking devil. As Priscilla gets deeper into witchcraft, it becomes clear she’ll be stirring up chaos, which fuels the novel. But the story’s momentum can be uneven. Joseph’s character is ho-hum; his musical leanings and his conflicted feelings about the devil (“Sure, sure, he seemed nice”) don’t add much. Not when there are circles of hell to learn about and other devilish details that reveal a complex, fascinating world.
A wild, if occasionally slow, brew of sorcery, Satan, and rural America.Pub Date: Dec. 21, 2023
ISBN: 9798987763216
Page Count: 570
Publisher: Millions of Colors
Review Posted Online: Dec. 27, 2023
Review Program: Kirkus Indie
Expert, but unsurprising.
The death of an old friend who was more than a friend sends Dr. Kay Scarpetta down her latest rabbit hole.
If every body tells a story, the corpse of 7-year-old Luna Briley sings the blues. On top of the many signs of ongoing physical abuse, there’s the fatal gunshot wound to her head. Ryder and Piper Briley, the wealthy and powerful parents who didn’t call the police until after their daughter died, insist that Luna’s death was an accident, or maybe a suicide. Scarpetta doesn’t think so, and her refusal to release the body to the Brileys’ hand-picked mortician moves them to legal action against her as Virginia’s chief medical examiner. You’d think it would be a relief to put this case aside for another when Scarpetta’s niece, Secret Service agent Lucy Farinelli, calls her and ferries her by helicopter to an abandoned Oz theme park owned by Ryder Briley, but this one’s even more heartbreaking. Scarpetta is there to examine the body of astrophysicist Sal Giordano, her close friend and former lover, who was evidently kidnapped, held in captivity for several hours, and tossed out of an unidentified aircraft. The leading suspects are the Brileys; Carrie Grethen, Lucy’s sociopathic ex-lover, with whom Scarpetta has repeatedly tangled in the past; and the UFO that dumped Giordano’s body without leaving the usual traces for air-traffic technologies to pick up. The multiple rounds of physical examinations Scarpetta conducts on both victims are every bit as meticulous and gripping as fans would expect; the killer’s identity is neither surprising nor interesting, but Cornwell juggles her trademark forensics, and the paranormal hints she’s become increasingly invested in, more dexterously than usual.
Expert, but unsurprising.Pub Date: Oct. 8, 2024
ISBN: 9781538770382
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2024
Kirkus Reviews Issue: Oct. 1, 2024
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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