Next book

BLACKWATER SOUND

Average for this action-packed series, built for speed rather than reflection, and boasting still another in the most...

More spirited apocalyptic escapism pitting Thorn, the hero lesser mortals disapprovingly describe as “some kind of amateur vigilante,” against a hideously dysfunctional South Florida family.

Every since her adored teenaged brother Andy was drowned by a giant marlin and her mother killed herself in grief, Darlene Braswell has been a woman with a mission. Armed with Andy’s notes and diagrams, the cold-eyed beauty has taken control of her father’s company, MicroDyne—using the technological breakthroughs Andy envisioned to bail the firm out of troubled waters—and of her lumpish kid brother Johnny, whose principal interests are watching old gangster movies and replicating their dialogue and weaponry in real-life situations. Now MicroDyne is on the verge of perfecting a device worthy of James Bond: a High Energy Radio Frequency (HERF) gun that knocks out all electrical circuits in its target area, whether that’s a tavern or an airliner. Unfortunately for Darlene, Thorn just happens to be breaking up with his latest lissome lover in a boat directly under the Rio-bound flight Darlene decides to bring down, and Arnold Peretti, the best friend of Darlene’s father, has decided to turn evidence of HERF’s power over to the press. Johnny can neutralize Arnold, of course, but how can any mere mortal, armed with whatever high-tech wizardry, hope to succeed against the alliance of crime-scene photographer Alexandra Rafferty (Body Language, 1998) and the imperishably virile Thorn (Rough Draft, 2000)? It’s true that Thorn will have his work cut out for him getting close to Darlene and the crew of her nefarious yacht ByteMe, but it’s not true that he has nothing Darlene and her father want: He can promise access to the monstrous marlin that killed golden-boy Andy.

Average for this action-packed series, built for speed rather than reflection, and boasting still another in the most grotesque gallery of villains since the glory days of Dick Tracy.

Pub Date: Jan. 1, 2001

ISBN: 0-312-20384-5

Page Count: 352

Publisher: Minotaur

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

Awards & Accolades

Likes

  • Readers Vote
  • 319


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 319


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 51


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 51


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview