Easily predictable plotting, with fun facts about MiGs, sensational in-the-cockpit realism, and the stirring flyboy spirit...
Forsaking politics and legal legerdemain for standard shoot-’em-down combat thrills, flyboy-turned-lawyer Huston (Flash Point, 2000, etc.) proves he can do a tightly plotted, by-the-numbers military adventure as well as anyone.
You know those Pakistani extremists are bad boys when their leader, Air Force Major Riaz Khan, hoists a squirming underling into the air and strangles him barehanded. Having bungled an attempt to smuggle into Pakistan a cache of weapon-grade plutonium, Khan and his crew have been dosed with so much radiation that they have barely six months to live—just enough time to get an embassy official in Washington to bribe the undersecretary of defense to get them into the Navy’s TOPGUN school. Alas, TOPGUN is no longer accepting foreign pilots, but Lieutenant Luke “Stick” Henry, a former TOPGUN instructor who quit when he was blamed for an unavoidable aerial collision, is. Henry, along with TOPGUN buddies Thud, Scamp Sluf, and former Russian flyboy Vladimir “Vlad” Petkov, has leased a bunch of retired MiG fighters to start their own, for-profit flight-combat school in the Nevada desert. Henry loathes Khan on sight, but enrolls the Pakistanis because he needs the money. After a few days of training, the Pakistanis hijack four American jets and load them up with bombs. Henry and his pals hop into their MiGs but fail to stop Khan from blasting open a nuclear power plant’s spent fuel pit, spilling deadly radioactive fallout over much of southern California’s coastline. Khan escapes and Henry learns, through Vlad (who has unsavory connections with the Russian Mafia), that this was just a practice run for an attack on an Indian nuclear power plant. Vlad and Henry zoom off to India to save the day.
Easily predictable plotting, with fun facts about MiGs, sensational in-the-cockpit realism, and the stirring flyboy spirit that put Huston in the same firmament with Dean Koontz and Dale Brown.Pub Date: July 1, 2001
ISBN: 0-688-17202-4
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2001
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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